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Quote by Caroline Kettlewell

“That's when I wanted to cut. I cut to quiet the cacophony. I cut to end this abstracted agony, to reel my selves back to one present and physical whole, whose blood was the proof of her tangibility.”

Quote by Caroline Kettlewell

Work

Skin Game

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Author

Caroline Kettlewell

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“Every lineament of the girl's wasted body is a testament to her inner turmoil. Willow can only imagine what kind of pain she must be in to destroy herself that way. She knows there's something ironic in her compassion for the other girl, but she can't help feeling that this utter mortification of the flesh is far worse than anything that she herself has done.”

“Englezul râde, avem umor noi, românii, și comandă spare ribs. Șefa mea încremenește atunci când ne trezim la masă cu un platou pe care tronează un morman de coaste de porc. Traduc "Păi oase!? Am venit la Londra să mâncăm tot oase?" Englezul e năuc. Îl lămuresc că doamna vrea friptură. Ok. Chelnerul vrea să știe cum o vrem. Traduc: la grătar. El insistă, cum să fie: rare, medium, done, well done? Mă trece transpirația. Habar n-am ce zice. Într-un final mă prind: întreabă cât să fie de mare friptura și zic medium, vorba patroanei, "ca să nu creadă ăștia că suntem nemâncate.”

“I still can’t wrap my mind around crossing that line of human behavior – civilized people punching and fighting, making violence their communication of choice. Is it because I’m a woman, I’ve never considered hitting someone who acted inappropriately? Even one of my best male friends, a gentle man, a believer in spirit and mankind, has thrown a few punches in his time. As a writer, my weapons are words. The thought of hurting someone physically to prove my point has never and will never be an option for me. Well, let me amend that: if someone hurt my child in front of me, tiger-mother’s claws would come out.”

“To a narrative therapist, there are few interactions between couples that are not influenced by patriarchy. If there is an abuse of power in a relationship, a narrative therapist would view the responsibility for the abuse of power as lying in the hands of the person abusing the power. A narrative approach would invite the abuser to Recognize the abuse as abuse. Position himself against it. Accept total responsibility for stopping it.”

“Desperate times, desperate measures. Ever since the beating in the park Sancho had felt something go wrong inside him, not a physical ailment but an existential one. After you were badly beaten, the essential part of you that made you a human being could come loose from the world, as if the self were a small boat and the rope mooring it to the dock slid off its cleats so that the dinghy drifted out helplessly into the middle of the pond; or as if a large vessel, a merchant ship, perhaps, began in the grip of a powerful current to drag its anchor and ran the risk of colliding with other ships or disastrously running aground. He now understood that this loosening was perhaps not only physical but also ethical, that when violence was done to a person, then violence entered the range of what that person--previously peaceable and law-abiding--afterwards included in the spectrum of what was possible. It became an option.”

“Often after work, I wander aimlessly around the city. I sit in bars and look at women's faces, searching for a piece of myself. I want to return to a different home, a home where he isn't. I guzzle champagne and savour the bravado and false hope it gives me. The bars eventually close and it's time to stagger back to Cell 208, where my lover awaits me, with clenched fist and gritted teeth.”