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Quote by Bhuwan Thapaliya

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Bhuwan Thapaliya

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“Though Eros and Psyche sat vast and magnificent in the front lawn, a prologue to the grand house itself, there was something wonderful- a mysterious and melancholic aspect- about the smaller fountain, hidden within its sunny clearing at the bottom of the south garden. The circular pool of stacked stone stood two feet high and twenty feet across at its widest point. It was lined with tiny glass tiles, azure blue like the necklace of sapphires Lord Ashbury had brought back for Lady Violet after serving in the Far East. From the center emerged a huge craggy block of russet marble, the height of two men, thick at the base but tapering to a peak. Midway up, creamy marble against the brown, the life-size figure of Icarus had been carved in a position of recline. His wings, pale marble etched to give the impression of feathers, were strapped to his outspread arms and fell behind, weeping over the rock. Rising from the pool to tend the fallen figure were three mermaids, long hair looped and coiled about angelic faces: one held a small harp, one wore a coronet of woven ivy leaves, and one reached beneath Icarus’s torso, white hands on creamy skin, to pull him from the deep.”

FountainStatuesMermaidsIcarusEros And PsycheMarble Statues
Book:The House at Riverton
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“Mamo, the Italian word for marble, comes from the Greek marmairein, meaning “to shine”. Geologically speaking, marble is limestone transformed by the heat and pressure of the earth’s crust into a medium-hard, crystalline rock. Cold to the touch, marble yields willingly to the sculptor’s chisel. Over time, white statuary acquires an ivory patina remarkably evocative of the warmth of human flesh.”

Marble Statues
Book:Young Michelangelo: The Path to the Sistine
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