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The Beatles

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“Then, lifting me up, his head fell back and he opened his mouth wide. “Once I let Lucy Larson into my heart! I was able to take my sad, shitty song and make it better!” he sung, off key and at full volume. Some of the students around us tipped their beers at him, some broke in during the “Nah, nah, nah,” chorus, and a few looked at him like he was a crazy man. But I just laughed—I already knew he was crazy. And I loved him for it. “I think that’s called taking creative liberties with the lyrics.”

LoveBeatlesJude Ryder
Book:Crash
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“We were talking about the space between us all And the people who hide themselves behind a wall of illusion, Never glimpse the truth, then it's far too late, when they pass away. We were talking about the love we all could share. When we find it, to try our best to hold it there. With our love, with our love, we could save the world. If they only knew. Try to realise it's all within yourself― No one else can make you change― And to see you're really only very small And life flows on within you and without you. We were talking about the love that's gone so cold And the people who gain the world and lose their soul. They don't know, they can't see. Are you one of them? When you've seen beyond yourself then you may find Peace of mind is waiting there, And the time will come when you see we're all one And life flows on within you and without you.”

LoveSpiritualityPeaceChangeBeatles
Author:George Harrison
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“«Mancano venti miglia a Limerick» disse, mostrandosi molto interessata al percorso. «So leggere i cartelli, grazie» rispose lui, gelido. Piera sbuffò. «Volevo solo rendermi utile, non mettere in dubbio le tue doti di maschio alfa!» La frase le uscì male, provocatoria senza volerlo essere, e infatti, piccato, lui emise un ah! alquanto sarcastico e batté il pugno con violenza sul volante, facendo suonare il clacson. Piera sussultò, sorpresa se non spaventata. «Mi sento di tutto, ti assicuro, tranne che maschio, alfa, beta o delta che sia.» Ecco, ci siamo. «E per il quieto vivere» proseguì lui, «farò persino finta che la notte scorsa tu non mi abbia trattato come un sex-toy…» Questa volta un ah! sarcastico uscì dalle labbra di Piera. «Un sex cosa? Scusa, non ho capito bene.» «Un sex-toy.» «Non so neppure cosa sia.» «Non ne avevo il minimo dubbio.» «Lo prendo come un complimento.» «Prendilo come vuoi. Coniglietti, AH!» «Cosa c’entrano i conigli, adesso?» «Lascia perdere.» «No, spiegati, per favore.» «Una che dorme con dei conigli addosso non può certo sapere cosa sia un sex-toy.» «Ohhh! La mia camicia da notte non è di tuo gusto? Va’ al diavolo, Jean!»”

IrelandRomantic ComedyFotografiaBeatlesFemmine FolliGatto Rosso
Book:Vuoi vedere che è proprio amore?
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“Like almost all of Beefheart's recorded work, it was not even "ahead" of its time in 1969. Then and now, it stands outside time, trends, fads, hypes, the rise and fall of whole genres eclectic as walking Christmas trees, constituting a genre unto itself: truly, a musical Monolith if ever there was one.”

MusicCreativityGeniusCriticismOriginalityRock MusicRolling StonesRockBeatlesHard RockBob DylanPop60sCaptain BeefheartTrout Mask ReplicaBeefheartRock CriticismElectronica
Author:Lester Bangs
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