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Trees in Trouble: Wildfires, Infestations, and Climate Change

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Daniel Mathews

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“My bedroom is separated from the main body of my house so that I have to go outside and cross some pseudo-Japanese stepping stones in order to go to sleep at night. Often I get rained on a little bit on my way to bed. It’s a benediction. A good night kiss. Romantic? Absolutely. And nothing to be ashamed of. If reality is a matter of perspective, then the romantic view of the world is as valid as any other - and a great deal more rewarding. It makes of life and unpredictable adventure rather that a problematic equation. Rain is the natural element for romanticism. A dripping fir is a hundred times more sexy than a sunburnt palm tree, and more primal and contemplative, too. A steady, wind-driven rain composed music for the psyche. It not only nurtures and renews, it consecrates and sanctifies. It whispers in secret languages about the primordial essence of things. Obviously, then, the Pacific Northwest's customary climate is perfect for a writer. It's cozy and intimate. Reducing temptation (how can you possibly play on the beach or work in the yard?), it turns a person inward, connecting them with what Jung called "the bottom below the bottom," those areas of the deep unconscious into which every serious writer must spelunk. Directly above my writing desk there is a skylight. This is the window, rain-drummed and bough-brushed, through which my Muse arrives, bringing with her the rhythms and cadences of cloud and water, not to mention the latest catalog from Victoria's Secret and the twenty-three auxiliary verbs. Oddly enough, not every local author shares my proclivity for precipitation. Unaware of the poetry they're missing, many malign the mist as malevolently as they non-literary heliotropes do. They wring their damp mitts and fret about rot, cursing the prolonged spillage, claiming they're too dejected to write, that their feet itch (athlete's foot), the roof leaks, they can't stop coughing, and they feel as if they're slowly being digested by an oyster. Yet the next sunny day, though it may be weeks away, will trot out such a mountainous array of pagodas, vanilla sundaes, hero chins and god fingers; such a sunset palette of Jell-O, carrot oil, Vegas strip, and Kool-Aid; such a sea-vista display of broad waters, firred islands, whale spouts, and boat sails thicker than triangles in a geometry book, that any and all memories of dankness will fizz and implode in a blaze of bedazzled amnesia. "Paradise!" you'll hear them proclaim as they call United Van Lines to cancel their move to Arizona.”

WritingRomanceRainWeatherDistractionsPacific Northwest
Book:Wild Ducks Flying Backward
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“We'd drive west to the fog of the coast. In Oregon, nobody calls it the beach, maybe to discourage false hopes of warm and sun.”

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Book:The Best Strangers in the World: Stories from a Life Spent Listening―A Poignant Journey Through Journalism, Global Connections, and Human Resilience in Today's World
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“On June 24, 1947, Kenneth Arnold, a businessman from Boise, Idaho, was flying a small plane near Mount Rainier when, according to Associated Press reports, he spotted a chain of nine “saucer-like” objects above and east of the mountain. Brilliant in the sun, these objects darted toward Mount Adams at “an incredible speed” that he estimated to be at least 1,200 miles per hour. Arnold’s story of saucer-shaped objects initiated a UFO craze that has not abated. Analyses by meteorologists and other scientists suggest that Mr. Arnold did not spot a visitor from another world, but rather a mountain wave cloud, a frequent visitor to the mountainous Pacific Northwest.”

Pacific NorthwestMeteorologyUnidentified Flying ObjectsMount RainierUfology
Book:The Weather of the Pacific Northwest
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“My inspiration comes from many sources. Clearly, Mother Nature has always occupied an important position in this regard, which is tied up to my early experiences in Mexico. In addition, the patterns used in Mexican arts and crafts—ceramics, textiles, tiles, masks, etc.—also have been present in the development of my mental and artistic imaginary from the very beginning. Other elements that I can mention are indigenous myths and legends, the expressions of other artists from various cultures, iconic historical figures, and the works of poets and other writers, some of whom are my friends. Obviously, my surroundings are also a big source of inspiration, as my series of paintings on the Pacific Northwest clearly show. (Interview in Artophilia)”

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Author:Alfredo Arreguin
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“They're kidding themselves, of course. Our sky can go from lapis to tin in the blink of an eye. Blink again and your latte's diluted. And that's just fine with me. I thrive here on the certainty that no matter how parched my glands, how anhydrous the creek beds, how withered the weeds in the lawn, it's only a matter of time before the rains come home. The rains will steal down from the Sasquatch slopes. They will rise with the geese from the marshes and sloughs. Rain will fall in sweeps, it will fall in drones, it will fall in cascades of cheap Zen jewelry. And it will rain a fever. And it will rain a sacrifice. And it will rain sorceries and saturnine eyes of the totem. Rain will primitivize the cities, slowing every wheel, animating every gutter, diffusing commercial neon into smeary blooms of esoteric calligraphy. Rain will dramatize the countryside, sewing pearls into every web, winding silk around every stump, redrawing the horizon line with a badly frayed brush dipped in tea and quicksilver. And it will rain an omen. And it will rain a trance. And it will rain a seizure. And it will rain dangers and pale eggs of the beast. Rain will pour for days unceasing. Flooding will occur. Wells will fill with drowned ants, basements with fossils. Mossy-haired lunatics will roam the dripping peninsulas. Moisture will gleam on the beak of the Raven. Ancient shamans, rained from their rest in dead tree trunks, will clack their clamshell teeth in the submerged doorways of video parlors. Rivers will swell, sloughs will ferment. Vapors will billow from the troll-infested ditches, challenging windshield wipers, disgusing intentions and golden arches. Water will stream off eaves and umbrellas. It will take on the colors of beer signs and headlamps. It will glisten on the claws of nighttime animals. And it will rain a screaming. And it will rain a rawness. And it will rain a disorder, and hair-raising hisses from the oldest snake in the world. Rain will hiss on the freeways. It will hiss around the prows of fishing boats. It will hiss in the electrical substations, on the tips of lit cigarettes, and in the trash fires of the dispossessed. Legends will wash from desecrated burial grounds, graffiti will run down alley walls. Rain will eat the old warpaths, spill the huckleberries, cause toadstools to rise like loaves. It will make poets drunk and winos sober, and polish the horns of the slugs. And it will rain a miracle. And it will rain a comfort. And it will rain a sense of salvation from the philistinic graspings of the world. Yes, I am here for the weather. And when I am lowered at last into a pit of marvelous mud, a pillow of fern and skunk cabbage beneath my skull, I want my epitaph to read, IT RAINED ON HIS PARADE, AND HE WAS GLAD!”

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Book:Wild Ducks Flying Backward
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“The phrase "low man on the totem pole" was coined by a White man in the 1940s to mean a person with no respect, status, or power. He clearly did not consult the Natives who carve the poles. They honor the figures they represent by immortalizing them in precious old-grown red cedar. Each member of the totem pole is significant, but the one on the bottom is often given the most reverence. They are the one who holds up everyone else; they are the one who starts the story.”

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Book:Thinning Blood: A Memoir of Family, Myth, and Identity
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“The bear is a symbol of motherly love and familial strength in the fiercest way. A mother bear will not allow her children to come to harm, but she will not coddle them either. No one dares come between the mother and her cubs, but still her cubs must keep up with her and learn to be strong themselves.”

CultureIdentityMemoirNativeNative AmericanIndigenousBearPacific NorthwestTotem
Book:Thinning Blood: A Memoir of Family, Myth, and Identity
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“The salmon is a symbol of prosperity and determination to the Coast Salish tribes, the band of tribes in the Pacific Northwest of which the Jamestown S'Klallam Tribe is a part. She defies nature, swimming upstream to provide for the people of the land. Yet she must sacrifice herself to give that abundance to others. Her determination comes at a deep personal cost.”

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Book:Thinning Blood: A Memoir of Family, Myth, and Identity
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