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Quote by Stephen King

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Desperation

In this suspenseful narrative, a close-knit community grapples with an enigmatic and potentially catastrophic event, testing the limits of human endurance and the depths of human desperation. more

Author

Stephen King
Stephen King

Stephen King, born on September 21, 1947, is a renowned American author. His works primarily focus on horror, fantasy, and science fiction, and have won him a wide audience. King has received numerous literary awards in the United States, including the Edgar Allan Poe Award and the World Fantasy Award. more

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“No one ought even to desert a woman after throwing her a heap of gold in her distress! He ought to love her forever! You are young, only twenty-one, and kind and upright and fine. You'll ask me how a woman can take money from a man. Oh, God, isn't it natural to share everything with the one we owe all our happiness to? When one has given everything, how can one quibble about a mere portion of it? Money is important only when feeling has ceased. Isn't one bound for life? How can you foresee separation when you think someone loves you? When a man swears eternal love--how can there be any separate concerns in that case?”

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“I can imagine no greater catastrophe than if I were mistaken, and the theory were correct that what I consider secondary instincts or drives are actually primary instincts! Because in that case the emotional plague would rest upon the support of a natural law while its archenemies, truth and sociality, would be relying upon unfounded ethics. Until now both lies and truth have taken recourse to ethics. But only lies have profited because they were able to appear under the guise of truth. Under these circumstances, egoism, theft, petty selfishness, slander, etc., would be the natural rule. (26.july.1943)”

EmotionSocietyHuman NatureEgoEmotional Plague
Book:American Odyssey: Letters & Journals, 1940-1947
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“In times of crisis, you get a public reaction that is incoherence on stilts. On the one hand, most people know that the government is not in the oil business. They don't want it in the oil business. They know there is nothing a man in Washington can do to plug a hole a mile down in the gulf. On the other hand, they demand that the president 'take control.' They demand that he hold press conferences, show leadership, announce that the buck stops here and do something. They want him to emote and perform the proper theatrical gestures so they can see their emotions enacted on the public stage. They want to hold him responsible for things they know he doesn't control. Their reaction is a mixture of disgust, anger, longing and need. It may not make sense. But it doesn't make sense that the country wants spending cuts and doesn't want cuts, wants change and doesn't want change.”

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“... as a convention, you get up and walk to the window to make the audience believe that you're looking out. It's for the audience, not for you! And what it means to you is something emotional [...] If you went to the Actors Studio you'd spend six months seeing the snow before you could say, 'Look at the snow.' This takes a terrible burden away from the actor, who thinks he's got to see the woods and the snow. 'Give me my gun! I see a rabbit! Give me my gun!' " Meisner sounds thrilled at the possibility of a hunt. "That happens when you're still sitting there reading. Then when they put in the scenery you move to the window. Isn't that simple? How simple it is to solve the problem of seeing things when you know that it's all in you emotionally, and that walking to the window is only a convention.”

ActingEmotionImpulseSymbolismConventionTruthfullness
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“Rosy lifted her arm, tried to say something, then pointed at the cafe, held her head, covered her mouth and—humiliation of humiliations—she began to cry. Right there in the street. “I’m so confused,” she said but it came out as a great honking wail. “Come here, you silly girl,” Phyllis said. The woman put her arms around Rosy, patted her back, and for the first time in forever, Rosy allowed herself to just cry. A young mother with twins in a pram passed them. The children’s eyes tracked Rosy for a second before their faces crumpled and they started to cry too. “I’m sorry,” Rosy said, and flapped her arms. “I’m sorry.”

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Book:Screw Friendship
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