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Quote by David L. Ulin

“We see it on blogs and in emails, on television talk shows, in public meetings and community forums; we are a culture that seems unable to concentrate, to pursue a line of thought or tolerate a conflicting point of view. … It’s different with a book, or any long-form piece of writing; these are slower, deeper, quieter. As readers, we are asked to slip inside the text, and if we can’t help but bring our personalities and perceptions to the process, the participation required leads to an inevitable empathy.”

Quote by David L. Ulin

Book:The Lost Art of Reading: Why Books Matter in a Distracted Time
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The Lost Art of Reading: Why Books Matter in a Distracted Time

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Author

David L. Ulin
David L. Ulin

David L. Ulin is an American author known for his insightful literary criticism. His work spans a wide range of genres from novels to poetry, and has had a significant impact on the field of literature. more

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“It’s natural that we should fear and be suspicious of representations of us by those who are not like us. Equally rational is the assumption that those who are like us will at least take care with their depictions, and will be motivated by love and intimate knowledge instead of prejudice and phobia. In the twentieth and twenty-first centuries, writing by women, and by oppressed minorities of all kinds, has wondrously expanded the literary landscape, ennobling griefs that had, historically, either passed unnoticed or been brutally suppressed and caricatured. We’re eager to speak for ourselves. But in our justified desire to level or even obliterate the old power structures—to reclaim our agency when it comes to the representation of selves—we can, sometimes, forget the mystery that lies at the heart of all selfhood. Of what a self may contain that is both unseen and ultimately unknowable. Of what invisible griefs we might share, over and above our many manifest and significant differences. We also forget what writers are: people with voices in our heads and a great deal of inappropriate curiosity about the lives of others.”

FictionEmpathyCuriosityRepresentationNovelsCultural AppropriationFascinated To Presume
Author:Zadie Smith
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“I, along with generations of women readers, have wondered: How could a man know so much of us? But the mystery is not so mysterious. Husbands know a great deal about wives, after all, and wives about husbands. Lovers know each other. Brothers know a lot about sisters and vice versa. Muslims and Christians and Jews know one another, or think they do. Our social and personal lives are a process of continual fictionalization, as we internalize the other-we-are-not, dramatize them, imagine them, speak for them and through them. The accuracy of this fictionalization is never guaranteed, but without an ability to at least guess at what the other might be thinking, we could have no social lives at all. One of the things fiction did is make this process explicit—visible. All storytelling is the invitation to enter a parallel space, a hypothetical arena, in which you have imagined access to whatever is not you. And if fiction had a belief about itself, it was that fiction had empathy in its DNA, that it was the product of compassion.”

FictionEmpathyRepresentationNovelsCultural AppropriationFascinated To Presume
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“I am suggesting that we pay as much attention to our nurturing sensibilities as to our ambition. You are moving in the direction of freedom, and the function of freedom is to free somebody else. You are moving toward self-fulfillment, and the consequences of that fulfillment should be to discover that there is something just as important as you are.”

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