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Quote by William Alexander

Work

Johnny Gibb of Gushetneuk in the Parish of Pyketillim, with Glimpses of the Parish Politics about AD 1843

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Author

William Alexander

William Alexander was a renowned painter, born on April 2, 1915, and passed away on January 24, 1997. His works are known for their unique style and profound understanding of color. more

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“On the whole popular fiction in Victorian Scotland is not overwhelmingly backward-looking; it is not obsessed by rural themes; it does not shrink from urbanisation or its problems; it is not idyllic in its approach; it does not treat the common people as comic or quaint. The second half of the nineteenth century is not a period of creative trauma or linguistic decline; it is one of the richest and most vital episodes in the history of Scottish popular culture.”

Scots LanguageScots LeidKailyardScottish LiteratureScottish Fiction
Book:Popular Literature in Victorian Scotland: Language, Fiction and the Press
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“What we have at present in Scotland is a linguistic continuum between Scots-English - the cumulative result of the attempts of several generations of Scots to speak English - and what is left of our own language, now largely confined to those who have not been deracinated by the influwnce of educational policy. Nevertheless, the Scots language still survives, incipient and fragmented, in the speech of the people and in a substantial body of recorded literature, although what is left of spoken Scots is coming under increasing pressure from English as a result of the influence of British radio and television. The problem for those who are interested in the survival and further evolution of Scots, is not how best to doctor it so that is can masquerade as English, but how to distinguish it clearly from English in writing, as a language which has a character and rules of its own.”

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Book:Thrawart Threipins
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“Historically, the language we call Scots was a development of the Anglian speech of the Northumbrians who established their kingdom of Bernicia as far north as the Firth of Forth in the seventh century. This northern Anglo-Saxon language flourished in Lowland Scotland and emerged into a distinct language on its own, capable of rich expansion by borrowing from Latin, French and other sources with its own grammatical forms and methods of borrowing. By the time of the Makars of the fifteenth century it was a highly sophisticated poetic language, based on the spoken speech of the people, but enriched by many kinds of expansion, invention and 'aureation'. Distinct from literary English, but having much in common with it, literary Scots took its place in the late Middle Ages as one of the great literary languages of Europe.”

Scots LanguageScots LeidScottish LiteratureBernicia
Book:Literature and Gentility in Scotland
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“THE PUDDOCK A puddock sat by the lochan's brim, An he thought there was never a puddock like him. he sat on his hurdies, he waggled his legs, An cockit his heid as he glowered through the seggs. The biggsy wee cratur was feelin that prood, He gapit his mou an he croakit oot lood: 'Gin ye'd a like tae see a richt puddock,' quo he, 'Ye'll never, I'll sweer, get a better nor me. I've femlies an wives an a weel-plenished hame, Wi drink for my thrapple an meat for my wame. The lasses aye thocht me a fine strappin chiel, An I ken I'm a rale bonny singer as weel. I'm nae gaun tae blaw, but th' truth I maun tell - I believe I'm the verra McPuddock himsel.'... A heron was hungry an needin tae sup, Sae he nabbit th' puddock an gollupt him up; Syne runkled his feathers: 'A peer thing,' quo he, 'But - puddocks is nae fat they eesed tae be.”

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“When I left home, I faithfully carried my copy of Sunset Song onward into life. Each reading brought a new layer and deeper understanding, but it was the notion of Two Chrisses that always echoed in my soul. Through Chris Guthrie, I understood the inferiority complex I felt as a working-class Scot as I began to move in different circles. I remember arriving at drama school with Doric words in my mouth, as other students looked blankly at my attempts to find an English equivalent. I'd then return home and feel 'posh' amongst my Scots speaking family. I was part of two worlds, but felt like I belonged in neither. The feeling persistently lingered but surfaced in earnest during the pandemic. At that time, I was working with the Scots Language Centre on their 'Scots Wark' project, and I was asked to deliver a creative learning resource. My offering was called 'The Twa Chrisses: A Love Letter to Sunset Song', a cathartic and empowering story to scrieve, but it also made my fingers itch to write a full theatrical adaptation. Somehow, gorgeous synchronicity ensued when Andrew Panton, Artistic Director of Dundee Rep, and Finn den Hertog contacted me with this very idea.”

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Book:Sunset Song: 2024 Tour
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