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“Je me sens comme dans un film, où l'héroïne embarque dans un train vers une nouvelle aventure. Suis-je une héroïne ? Un personnage principal ? Il semble que oui, en tout cas, je suis le personnage principal de ma propre vie en ce moment, et bon sang, ça fait du bien.”

Quote by Charlie

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Les couleurs du changement

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Charlie

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“An important note about Roxannah's background. In my conversation with Dr. Jessica Sanderson (please see Author Acknowledgements), what became obvious to me was that childhood wounds cause us to break down differently. The same wound can cause one person to break toward control, while another breaks toward fragility. We break toward hyper-vigilance, catastrophic thinking, workaholism, or worthlessness. Our deepest wounds can wear a thousand faces. But The Queen's Cook is a not a book about childhood trauma. It is the story of a woman who through hardship finds friendship, love, and a life-changing relationship with God.”

“I am re-inventing myself, writing my own story; changing my name to fit the course that I have chosen for myself. The old woman called me Vianne Rocher. Not Rochas, but Rocher, like the chocolate. This seems meaningful, somehow. As if that village on the Baïse and the chocolaterie on Allée du Pieu might both be part of my future. And before I settle anywhere, I need to learn how to be Vianne.”

“At the heart of the crowd walked a girl with merry eyes, a floating violet in a sea of cut-velvet and silk hose, cloth-of-silver and the smell of myrrh, concentrating as she held her skirt clear of puddles. This was Anne, duchess regnant of Brittany, her hair caught back in a diadem and a pearl-studded crespine, though she wore no other jewels. They had all been sold to pay her garrisons.”

“So many people behave like they think a cinema orchestra is following them around to give them backing music, that they're the superstar of the universe...and the people who believe this way, they're the people who tend to hurt others the most. They think they're the hero of their own story, but, actually, in the pursuit of being so important, they're often the villain of everyone else's.”

“You've told a good story in a skillful manner. I like it that you haven't moralized about your heroine's mistakes. You've made it difficult for the reader not to sympathize with her." "I sympathize with her," Amanda said frankly. "I've always thought it would be the worst kind of horror to be trapped in a loveless marriage. So many women are forced to marry because of pure economics. If more women were able to support themselves, there would be fewer reluctant brides and unhappy wives." "Why, Miss Briars," he said softly. "How unconventional of you." She countered his amusement with a perplexed frown. "It's only sensible, really." He realized suddenly that this was the key to understanding her. Amanda was so doggedly practical that she was willing to discard the hypocrisies and stale social attitudes that most people accepted without thinking. Why, indeed, should a woman marry just because it was the expected thing to do, if she were able to choose otherwise? "Perhaps most women think it is easier to marry than support themselves," he said, deliberately provoking her. "Easier?" she snorted. "I've never seen a shred of evidence that spending the rest of one's days in domestic drudgery is any easier than working at some trade. What women need is more education, more choices, and then they will be able to consider options for themselves other than marriage.”