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Quote by Sherrilyn Kenyon

“I didn't think he'd go back for him. But it shouldn't surprise me, either, I guess . . . given their relationship. I'm extremely curious where they're hiding him, as he doesn't blend. At all. Ever. I can't imagine where they could put him that he wouldn't attract a lot of attention . . . in either form." Xev "Well, aren't we Mr. Dark and Cryptic . . . shall we call him?" Nick pulls out his phone. "I doubt he knows how to work that. I'm sure he'd sniff it and eat it if you gave him one. Do you know where they're keeping him?" Xev "You know how akri-Caleb's house is up off the ground and gots all that room under it for storage?" Simi "Oh dear Gods, he's in my wine cellar? Seriously? I'm thinking I should have made amends with my brother sooner and moved him into my house to watch the puca. What kind of mutant life form do I have living in my cellar? And do I need to fumigate my house?"" Caleb”

Quote by Sherrilyn Kenyon

Book:Invision
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Invision

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Sherrilyn Kenyon
Sherrilyn Kenyon

Sherrilyn Kenyon is an American author known for her fantasy and romance novels. Born in 1965, she has gained a wide readership globally since the early 1990s. Kenyon is praised for her unique narrative style and portrayal of complex character relationships. more

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“When I watch a movie or read a book, be it a melodrama or horror, I always hate the female character... Well, most of the time I do. Why? Because she is always dumb. I shit you not. For example in this one chick-flick movie, "Serendipity", Sara tells that Jonathan guy that she won't give him her number because if they are meant to meet again, they will. Seriously? Romantic movie my ass, there's not anything romantic in letting go of someone when you can grab them with both of your hands. That is not romantic, THAT is stupid. In another movie the girl storms out, never hearing the guy out, just like in that one book I've been reading recently, "Tangled". Now this is an issue with most of the books and chick-flicks. Like why? Why won't you stop a minute, take a deep breath, count to ten and listen to the guy. Only after that, for God's sake, say ‘fuck you’ then ‘Namaste’ and then walk away while swaying your hips like there is no tomorrow? Let them know what they will be missing for the rest of their lives. In some other movies I hate the main female character because of the scriptwriters. The girl somehow always appears in front of the guy out of nowhere. Like he can be walking down the street and then boom! ABRACADABRA! The main girl bumps into him in NYC out of all places. They make it seem like whatever they do their steps always bring them back to each other. Dumb, I know.”

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Book:Lovember: A Collection of Short Love Stories
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