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Quote by Kevin Kolenda

“You can take All the Drama in your world, put that in a Blender . . . AND . . . I will take All the Drama in mine and put that into the same Blender . . . Out will come a Shot Glass full of your Drama . . . while I will be making Milk Shake After Milk Shake . . . So Deal with It”

Quote by Kevin Kolenda

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Kevin Kolenda

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“Freeman was a damn good prosecutor but in my view she didn’t play fair. A trial was supposed to be a spirited contesting of facts and evidence. Both sides with equal footing in the law and the rules of the game. But using the rules to hide or withhold facts and evidence was the routine with Freeman. She liked a tiled game. She didn’t carry the light. She didn’t even see the light.”

“How the jury responds to a victim is an enormous percentage of the verdict in any sex crimes trial–which is why prosecutors want Good Victims. In New York City, Good Victims have jobs (like stockbroker or accountant) or impeccable status (like a policeman’s wife); are well educated and articulate, and are, above all, presentable to a jury; attractive–but not too attractive, demure–but not pushovers. They should be upset–but in good taste–not so upset that they become hysterical. And they must have 100 percent trust and faith in the prosecutor, so that whatever the ADA decides to do with the case is fine with them. The criteria for a Good Victim varies with locale. In the Bible Belt, for example, the profile would be a “Christian Woman.” But the general principle remains the same. Such attitudes are not only distasteful, they are also frightening. They say that it’s O.K. to rape some people–just not us. Old-time convicts spell justice “just us”–prosecutors aren’t supposed to. Sex-crimes prosecutors are supposed to understand that the only way to keep the wolf from our own door isn’t to throw him fresh meat but to stop him the first time he darkens anybody’s door.”