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Quote by William Faulkner

“«I don’t know», Byron said. «I reckon that’s just my life». «And I reckon this is just my life, too» the other said. «But I know why it is», Byron thinks. «It is because a fellow is more afraid of the trouble he might have than he ever is of the trouble he’s already got. He’ll cling to trouble he’s used to before he’ll risk a change. Yes. A man will talk about how he’d like to escape from living folks. But it’s the dead folks that do him the damage. It’s the dead ones, that lay quiet in one place and don’t try to hold him, that he can’t escape from».”

Quote by William Faulkner

Work

Light in August

William Faulkner's 'Light in August' is a complex narrative that delves into the lives of its characters amidst the backdrop of racial tensions and social upheaval in the American South. The story follows Joe Christmas, a man of ambiguous racial identity, as he navigates through a series of tragic events, while also examining the nature of truth, love, and redemption. more

Author

William Faulkner
William Faulkner

William Faulkner, an American writer born on September 25, 1897, and died on July 6, 1962. Known for his unique narrative techniques and profound descriptions of Southern society and history, Faulkner is considered one of the great novelists of the 20th century. more

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“Aquí estoy, sentado sobre esta piedra aparente. Sólo mi memoria sabe lo que encierra. La veo y me recuerdo, y como el agua va al agua, así yo, melancólico, vengo a encontrarme en su imagen cubierta por el polvo, rodeada por las hierbas, encerrada en sí misma y condenada a la memoria y a su variado espejo. La veo, me veo y me transfiguro en multitud de colores y de tiempos. Estoy y estuve en muchos ojos. Yo sólo soy memoria y la memoria que de mí se tenga. ('Los recuerdos del porvenir', 1963)”

“El rostro que ponemos especial empeño en recordar al principio es muy nítido y omnipresente, pero a medida que pasa el tiempo —y seguramente por ese ahínco, que lo desgasta y lo desvirtúa y deforma— empieza a difuminársenos, y acaba por resultar casi imposible que los ojos de la mente lo convoquen y se lo representen con fidelidad. De pronto nos sorprendemos mirando una fotografía para conseguirlo, y aun así: la foto quieta va suplantando a la cara real, con sus gestos y su movimiento, las facciones se congelan y ya sólo existen las de la instantánea, que de tanto mirarla sustituye a la persona y la borra o la destierra o expulsa, por eso cuesta tanto recordar de veras a los muertos que se nos alejan.”

“Jack hadn’t thought of love as a promise before—a promise that, even when the world was falling down around him, would stay kept. But without Sutton saying a word, he knew that there would be comfort when he couldn’t sleep tonight. And tomorrow and the day after, there would be a home to go to, even if it was no more than a pair of arms around him and a head tucked close to his in the darkness.”