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Quote by Thomas Mann

“Denn der Mensch liebt und ehrt den Menschen , solange er ihn nicht zu beurteilen vermag, und die Sehnsucht ist ein Erzeunis mangelhafter Erkenntnis.”

Quote by Thomas Mann

Work

Death in Venice

In this novella, the protagonist, an aging writer, becomes entranced by the beauty of Venice and its inhabitants. His fascination leads to a complex relationship with a young boy, which ultimately results in a profound existential crisis. The story delves into the complexities of artistic creation and the moral dilemmas faced by the protagonist amidst the backdrop of the picturesque and decaying city of Venice. more

Author

Thomas Mann
Thomas Mann

Thomas Mann, born on June 6, 1875, and died on August 12, 1955, was a German novelist and one of the greatest writers of the 20th century. Known for his profound psychological portrayals and rich imagination, his works extensively covered themes such as individual and society, history and reality. His masterpieces include 'Buddenbrooks' and 'The Magic Mountain'. more

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“Kennst du das Land, wo die Zitronen blüh'n, Im dunkeln Laub die Goldorangen glüh'n, Ein sanfter Wind vom blauen Himmel weht, Die Myrte still und hoch der Lorbeer steht, Dahin! Dahin Möcht' ich mit dir, o mein Geliebter, zieh'n. Kennst du das Haus? Auf Säulen ruht sein Dach, Es glänzt der Saal, es schimmert das Gemach, Und Marmorbilder stehn und seh'n mich an: Was hat man dir, du armes Kind, getan? Kennst du es wohl? Dahin! Dahin Möcht ich mit dir, o mein Beschützer, zieh'n. Kennst du den Berg und seinen Wolkensteg? Das Maultier sucht im Nebel seinen Weg; In Höhlen wohnt der Drachen alte Brut; Es stürzt der Fels und über ihn die Flut. Kennst du ihn wohl? Dahin! Dahin Geht unser Weg! o Vater, laß uns zieh'n!”

“Who then is to judge what is good, true, and beautiful? You are. Plato says it is the soul: the proper dimensions and proportions are already stored in our minds, and when we recognize the good, true, and beautiful-- how is it that we do it? It is by anamnesis, the act of recalling what we have seen somewhere before. You must have received an impression of what is right somewhere else, because you recognize it instantly; you don't have to have it analyzed; you don't have to say, "That is beautiful," or "That is ugly"; you welcome it as an old acquaintance. We recognize what is lovely because we have seen it somewhere else, and as we walk through the world, we are constantly on the watch for it with a kind of nostalgia, so that when we see an object or a person that pleases us, it is like recognizing an old friend.”