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Quote by Luiz Biajoni

“Enquanto esperava pelo elevador, que se encontrava no sétimo andar, Nanete pensou sobre como qualquer pessoa do edifício poderia entrar em qualquer apartamento, já que era comum que as portas ficassem abertas. Aquelas pessoas eram muito seguras de que moravam em um local com gente totalmente acima de qualquer suspeita.”

Quote by Luiz Biajoni

Book:O Crime no Edifício Giallo
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O Crime no Edifício Giallo

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Luiz Biajoni

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“There are bishops, knights and queens. Once they fought for their people, going to prison and refusing to come out unless the white man went west. Everyone demonstrated while their leaders were in prison, demanding their unconditional release, their names written with wet paint across huge placards... 'Our dear savior, so and so,' they yelled. In torn and bloody clothes, their heroes waved to the crowds, as big trucks waited to whisk them off to maximum-security prisons. They were adored and worshiped. Heroes, my foot! Saviors? Bullshit!" Kangu was suddenlt trembling with rage. "Imagine calling somebody a hero without knowing his motives, just because a poor African boy went to University and read a few of Martin Luther King's speeches. Maybe he was just looking for fame, or eyeng the fat farms of the white man. Then the 'hero' suddenly finds himself wallowing in power, money and sex... All the things he's dreamed of, but never seen. He forgets what he was fighting for, and becomes meaner than the white man ever was; he becomes the devil.”

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“Similarly, despite the efforts by production houses, media, and fans to support local content, Kenyan music was not growing for many reasons including conmanship in the entertainment industry. We had Promoters (they still exist) who had decided to make money from the sweat and blood of artists. Then the Music Copyright Society of Kenya came and ruined everything despite having elected some artists to the management board hoping they would do something different. They ended up being the most prominent scam artists ever proposed in the history of Kenyan entertainment. (In the article "From Curiosity to Creation: The Birth of Kalpop")”

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“In terms of cooperation with other denominations, Classical Pentecostals in Kenya have had a wary and suspicious approach to ecumenism from their earliest decades. It was noted that they were willing to unite and cooperate with other denominations regarding service to one another and society but not in faith and doctrine. This stance was informed by their desire to safeguard their distinctive experience of baptism in the Spirit with its resultant manifestation of speaking in tongues. The suspicion lingers on, which is confirmed by the fact that neither PAG nor CITAM are members of NCCK.”

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“The major challenge facing Classical Pentecostals is what to do with the Charismatics in other mainline denominations who traditionally do not fall under the category of Pentecostals, yet they are embracing the experience of baptism in the Spirit and its myriad manifestations. If indeed spirit baptism breeds unity, are the Pentecostals willing to dialogue with other Christian expressions in Kenya that have allowed the ‘Pentecostal’ experience within their fold?”

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“L’Ur-Fascismo si basa su un “populismo qualitativo”. In una democrazia i cittadini godono di diritti individuali, ma l’insieme dei cittadini è dotato di un impatto politico solo dal punto di vista quantitativo (si seguono le decisioni della maggioranza). Per l’Ur-Fascismo gli individui in quanto individui non hanno diritti, e il “popolo” è concepito come una qualità, un’entità monolitica che esprime la “volontà comune”. Dal momento che nessuna quantità di esseri umani può possedere una volontà comune, il leader pretende di essere il loro interprete. Avendo perduto il loro potere di delega, i cittadini non agiscono, sono solo chiamati pars pro toto, a giocare il ruolo del popolo. Il popolo è così solo una finzione teatrale. Per avere un buon esempio di populismo qualitativo, non abbiamo più bisogno di Piazza Venezia o dello stadio di Norimberga. Nel nostro futuro si profila un populismo qualitativo TV o Internet, in cui la risposta emotiva di un gruppo selezionato di cittadini può venire presentata e accettata come la “voce del popolo”. A ragione del suo populismo qualitativo, l’Ur-Fascismo deve opporsi ai “putridi” governi parlamentari.”

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“Societies sometimes smear Wisdom and her natural, symmetrical beauty. She is at times caked beneath the extreme makeup of dirty politics and yellow journalism. At times she may appear to be the red, far-right extremist to a majority that has drifted too far left - and at other times, the blue, far-left extremist to a majority that has drifted too far right. 'She' is Wisdom, a beacon in the center of hope and a lighthouse to be utilized. She is truth that must be washed by the sea of Love.”

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