“Similarly, despite the efforts by production houses, media, and fans to support local content, Kenyan music was not growing for many reasons including conmanship in the entertainment industry. We had Promoters (they still exist) who had decided to make money from the sweat and blood of artists. Then the Music Copyright Society of Kenya came and ruined everything despite having elected some artists to the management board hoping they would do something different. They ended up being the most prominent scam artists ever proposed in the history of Kenyan entertainment. (In the article "From Curiosity to Creation: The Birth of Kalpop")”
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