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Quote by Paulo Ricardo Zargolin

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Paulo Ricardo Zargolin

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“On January 8, 1959, Fidel made his grand entrance into Havana. With his son Fidelito at his side, he rode on top of a Sherman tank to Camp Columbia, where he gave the first of his long, rambling, difficult-to-endure speeches. It was broadcast on radio and television for the entire world to witness. For the Cubans it was what they had waited for! During the speech, smiling Castro asked Camilo Cienfuegos, “How am I doing?” and the catch phrase “Voy bien, Camilo” was born. The following Christmas the celebrations were exceptional and made up for the drab Christmas of 1958. There were great expectations on the part of the Cuban people, but most of these expectations would be shattered in the years to come. In the United States, people saw things differently. “Kangaroo trials” of Batista’s followers, ending with their executions, infuriated Americans who couldn’t believe what was happening on what they considered a happy island. Members of the U.S. Congress held formal hearings, interviewing exiled Cubans known as Batistianos. The result was that in the United States, people began to rally against Castro and in Cuba, people saw the United States as presumptuous and overbearing. Eisenhower treated Fidel with contempt and Nixon did not hide the fact that he disliked the Cuban leader. It was this combination of events that led Cuban-American relations into a diplomatic downhill spiral, from which the two countries have just now started to emerge. Without American backing, Cuba turned to Communism and looked to the Soviet Union for support. The results that followed should have been expected and were the consequences of American arrogance and Cuban misplaced pride.”

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Author:Captain Hank Bracker, The Exciting Story of Cuba, Cuban History
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“In exchange for hard work the [Cuban] people have freedom. Not only freedom from want but freedom to develop themselves as individuals. They have shelter, no mortgages, sufficient food for survival and sufficient clothing. There are few cars, as this is really a luxury item, and what cars there are, are for the use of the people. There are many buses. These buses are all made in France or England. In Havana, transportation is only 5 cents. If you have it, you pay it consciously, if not you can ride anyway. I used to watch the people get on and everyone seemed to pay. Public telephones are free. Medical care is completely free to everyone. Even sports events are free. (1969)”

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Book:Enriqueta Vasquez And the Chicano Movement: Writings from El Grito Del Norte (Hispanic Civil Rights)
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“Many of the members of the decolonial aestheSis collective are practicing artists, theoreticians, curators, and writers who arrive to the process as a result of understanding the way in which the axis of coloniality and modernity/rationality (as Anibal Quijano puts it in his inaugural article) still resonates and maintains the debates about art, art practice, and the institutions that support it. Decolonial AestheSis at the 11th Havana Biennial Social Text Periscope 2013”

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Author:Raul Moarquech Ferrera-Balanquet and Miguel Rojas-Sotelo
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“Back at the cottage we explored the topography of my body; twigs in my hair, calves striped red and my skirt smudged in meadowtones. The forest underlined me, accentuated me, illustrated me. I felt alive in that midnight village whose dark places left their signatures on my skin, whose bites still hummed around my wrists. I didn’t notice till then the thousand nettle stings rising like pearls; burning bracelets that my love kissed and rubbed with dock leaves; a folk remedy painting my pulse points green; honorary stalks.”

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Book:Dreaming in Night Vision: A Story in Vignettes
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