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Quote by Richard Aldington

“In the twentieth century the women who wanted to be on their own were some of the best, the honest ones, those who instinctively rejected the trash. But here came a tragical dilemma. If they accepted Business and served it, they served the very thing from which they fled, and at best became imitation men. If they rejected Business and lived on allowances or incomes, they were in the anomalous position of hunting with the industrial hounds and running with the agricultural hare. An instinctive sense of this made many of them turn "artist." And so Europe was cluttered up with incompetent women "artists" -- not that a woman is incapable of being an artist, but because the assumed role provided an escape. Either situation was impossible, and the solution is not yet found.”

Quote by Richard Aldington

Work

Women Must Work

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Author

Richard Aldington
Richard Aldington

Richard Aldington (July 8, 1892 – July 27, 1962) was a British poet, novelist, critic, and biographer, best known as a key figure in the Imagist poetry movement. Born in Hampshire, he studied classics and later co-founded Imagism with Ezra Pound and H.D. His works, characterized by concise language and modernist themes, include the poetry collection 'Images' and the war novel 'Death of a Hero'. Aldington's experiences in World War I deeply influenced his writing, which often critiqued the impact of war on society. He also wrote biographies of T.E. Lawrence and D.H. Lawrence. Though sometimes overshadowed by his contemporaries, Aldington's contributions to modern poetry and war literature remain significant. more

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“ماجدوى العقل إذا يارتشارد باركر , ؟ أوظيفته الوحيدة تدبير الأمور العملية فحسب ؟ تأمين الطعام والثياب والمأوى لماذا لا يقدم العقل أجوبة أكبر ؟ ولماذا الأسئلة التي نطرحها تفوق الأجوبة دائماً لماذا الشبكة كبيرة إذا كانت الأسماك قليلة إلى هذا الحد ؟”

“When my mother would tell me that she wanted me to have something because she as a child had never had it, I wanted, or I partly wanted, to give it back. All my life I continued to feel that bliss for me would have to imply my mother's deprivation or sacrifice. I don't think it would have occurred to her what a double emotion I felt. I could hardly bear my pleasure for the guilt. There is no wonder that a passion for independence sprang up in me at the earliest age. It took me a long time to manage the independence, (but) I have never managed to handle the guilt. In the act and the course of writing stories, these are the two springs, one bright, one dark, that feed the stream.”

“Look, you had it easier than me,' she says. 'You think Nana and Papa were busy supporting women's rights? No, they wanted me to meet a nice man and get married and cook and clean for him and give them grandchildren, and that's it. You were born into a world where feminism existed and was readily available to you. I had to acquire that knowledge. I didn't know I could be on my own.”