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Quote by Leland Lewis

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Angelic Tales of The Universe. Tale 1. The Ancient Woman, The Secret Cave

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Leland Lewis

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“The saints do not contemplate in order to know, but to love. And they love not for the sake of loving but for the love of Him that they love. It is because they are in love with God that they aspire to that union with God which love desires, loving themselves only for his sake. Their aim is not to exult in their own intelligence or nature and so abide in themselves: it is to do the will of Another and contribute to the good of Goodness. They do not seek for their soul. They lose it, they have it no more. If in entering into the mystery of divine sonship, in becoming somewhat of God himself they gain a transcendent personality, an independence and a liberty which nothing in this world can touch it is by forgetting all this so that not they but their Beloved lives in them.”

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Author:RH Tawney
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“Despite the fact that most of the market's customers were dressed in draped fabrics while she and Jack were in shorts and T-shirts, no one stared at them. There was enough variation in the shoppers and the vendors that their differences were unremarkable: skin colors from blue to coal-black to pink to bronze to metallic silver. A few shoppers were covered in fur. One woman sported beige-colored wings. She had on a necklace of bird bones that fell down to her stomach. Another had talons instead of hands. He clicked them together in rhythm with his footsteps. Calisa could have wandered through the stalls forever, filling her eyes with all the impossible people and the beautiful oddities on display.”

FantasyDifferent WorldMythical BeingsSkin Tones
Book:The Faraway Inn
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“Anyone Can Whistle, subtitled 'A Wild New Musical,' opened in New York on April 4, 1964, at the Majestic Theater. The reviews were generally negative, and Laurents defended himself with the rationalization that Walter Kerr of the Herald Tribune 'didn't like the show because he was a Catholic. The idea that there's no miracles drove him up the wall.' Such a self-protective imagination made Laurents more resilient than Sondheim, who was so discouraged that he talked about quitting the theater entirely. The show closed after nine performances, ultimately becoming a cult musical--meaning that if everyone who says they saw it, actually saw it, it would have run for years.”

TheaterResilienceFlops
Book:Balancing Act: The Authorized Biography of Angela Lansbury
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“The diaries of opium-eaters record how, during the brief period of ecstasy, the drugged person's dreams have a temporal scope of ten, thirty, sometimes sixty years or even surpass all limits of man's ability to experience time--dreams, that is, whose imaginary time span vastly exceeds their actual duration and which are characterized by an incredible diminishment of the experience of time, with images thronging past so swiftly that, as one hashish-smoke puts it, the intoxicated user's brain seems "to have something removed, like the mainspring from a broken watch.”

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Book:The Magic Mountain
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