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Quote by Matt Haig

“Her mind felt loud, like a Sturm und Drang symphony, as if the ghost of a German composer was trapped inside her mind, conjuring chaos and intensity.”

Quote by Matt Haig

Book:The Midnight Library
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The Midnight Library

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Author

Matt Haig
Matt Haig

Matt Haig is a British novelist born in 1975. His works are known for their humor and profound emotional insight, enjoying great popularity among readers. Haig's writing spans a variety of genres, including science fiction, fantasy, and realism. more

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“دع إنساناً يغير اتجاه أفكاره، وسوف تتملكه الدهشة لسرعة التحوّل الذي يحدثه هذا التغير في جوانب حياته المتعددة. إن القدرة الإلهية التي تكيف مصايرنا مودعة في أنفسنا، بل هي أنفسنا ذاتها!! وكل ما يصنعه المرء هو نتيجة مباشرة لما يدور في فكره، فكما أن المرء ينهض على قدميه وينشط وينتج بدافع من أفكاره كذلك يمرض ويشقى بدافع من أفكاره أيضأ.”

ThinkingLifeMindSelfLessonsThoughts
Author:James Allen
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“The neural basis for the self, as I see it, resides with the continuous reactivation of at least two sets of representations. One set concerns representations of key events in an individual's autobiography, on the basis of which a notion of identity can be reconstructed repeatedly, by partial activation in topologically organized sensory maps. ... In brief, the endless reactivation of updated images about our identity (a combination of memories of the past and of the planned future) constitutes a sizable part of the state of self as I understand it. The second set of representations underlying the neural self consists of the primordial representations of an individual's body ... Of necessity, this encompasses background body states and emotional states. The collective representation of the body constitute the basis for a "concept" of self, much as a collection of representations of shape, size, color, texture, and taste can constitute the basis for the concept of orange.”

MindSelfBodyIdentitySensesConnectionMind Body ConnectionAutobiographical
Book:Descartes' Error: Emotion, Reason and the Human Brain
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“The museums in children’s minds, I think, automatically empty themselves in times of utmost horror—to protect the children from eternal grief. For my own part, though: It would have been catastrophe if I had forgotten my sister at once. I had never told her so, but she was the person I had always written for. She was the secret of whatever artistic unity I had ever achieved. She was the secret of my technique. Any creation which has any wholeness and harmoniousness, I suspect, was made by an artist or inventor with an audience of one in mind. Yes, and she was nice enough, or Nature was nice enough, to allow me to feel her presence for a number of years after she died—to let me go on writing for her. But then she began to fade away, perhaps because she had more important business elsewhere.”

Mind
Book:Slapstick, or Lonesome No More!
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