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Quote by Rachel Cusk

“Sanity and insanity were not opposites but rather were the two faces of inanimate matter, the point at which the existence of consciousness can get no further in breaking down the existence of substance, of the body. Art, rooted in insanity, transforms itself through process into sanity: it is matter, the body, that is insane.”

Quote by Rachel Cusk

Book:Parade

Work

Parade

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Author

Rachel Cusk
Rachel Cusk

Rachel Cusk, born in 1967, is a distinguished British novelist. Her works are renowned for their unique narrative style and profound insights into modern life. Cusk's writing spans a range of themes including personal experience, family relationships, and social change, and has garnered widespread acclaim from readers. more

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“Chris’ second letter was less noble. She started off by rhapsodizing once again about Dick’s face: “I started looking at your face that night in the restaurant—oh wow, isn’t that like the first line in the Ramones song, ‘Needles & Pins’? ‘I saw your face/It was the face I loved/And I knew’—and I got the same feeling from it that I get every-time I hear that song, and when you called my heart was pounding and then I thought that maybe we could do something together, something that is to adolescent romance what the Ramone’s cover of the song is to the original. The Ramones give ‘Needles & Pins’ the possibility of irony, but the irony doesn’t undercut the song’s emotion, it makes it stronger and more true. Søren Kierkegaard called this “the Third Remove.” In his book ‘The Crisis In The Life Of An Actress’, he claims no actress can play 14-year-old Juliette until she’s at least 32. Because acting’s art, and art involves reaching through some distance. Playing the vibrations between here and there and then and now. And don’t you think reality is best attained through dialectics? PS, Your face is mobile, craggy, beautiful…”

“With the advent of the first truly revolutionary means of reproduction, photography, simultaneously with the rise of socialism, art sensed the approaching crisis which has become evident a century later. At the time, art reacted with the doctrine of l'art pour l'art, that is, with a theology of art. This gave rise to what might be called a negative theology in the form of the idea of "pure" art, which not only denied any social function of art but also any categorizing by subject matter.”