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Quote by Rick Riordan

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The Hidden Oracle

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Rick Riordan
Rick Riordan

Rick Riordan, born on June 5, 1964, is an American author known for his works that blend mythology and fantasy elements. His most famous series, 'Percy Jackson & the Olympians,' combines Greek mythology with the experiences of modern teenagers. more

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“You remind me of Iris,” I said. “She went organic vegan several decades ago.” Rhea made a face—just a ripple of disapproval before regaining her karmic balance. “Iris is a good soul. I dig her. But you know, these younger goddesses, they weren’t around to fight the revolution. They don’t get what it was like when your old man was eating your children and you couldn’t get a real job and the Titan chauvinists just wanted you to stay home and cook and clean and have more Olympian babies.”

The Hidden Oracle
Book:The Hidden Oracle
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“Rachel put her hand over mine. “Things can turn out differently, Apollo. That’s the nice thing about being human. We only have one life, but we can choose what kind of story it’s going to be.” That seemed hopelessly optimistic. I had spent too many centuries watching the same patterns of behavior be repeated over and over, all by humans who thought they were being terribly clever and doing something that had never been done before. They thought they were crafting their own stories, but they were only tracing over the same old narratives, generation after generation. Still…perhaps human persistence was an asset. They never seemed to give up hope. Every so often they did manage to surprise me”

The Hidden Oracle
Book:The Hidden Oracle
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“I was in a copse of pine trees, and the pine was overpowering my scent. The pheromones of the big cat mingled with the pine and I spun around. I was smelling and looking for the flash of white, but I couldn’t see it. I grew angry and I pawed at the earth. The aroma of the soil cleansed my nose as I leaned down and sniffed deeply. I slowly closed and opened my eyes. As I looked ahead I saw something. There, further on, I had another glimpse of the large white cat. She was stopped and her hindquarters were in the air. I stared, trying to figure out what she was doing. Her forepaws and head were on the ground, but her hind was wiggling. She was next to a tree, marking it, so I slowly paced in a zigzag pattern as I walked close to her. I was being cautious because poachers had been known to employ shifters to entice real animals in the wild. She turned her head and growled at me. I took it as an invite to come closer. I ran up to her and started circling. She was an albino panther as I thought. I paced closer, breathing deep. I was in the middle of Ohio, outside of a lost cougar and a few bobcats there were no big cats here, at least not counting lycanthropes, and this creature didn’t smell like one of those. Her rump almost wagged in anticipation, and I felt my tiger body respond. I circled her, taking a swipe in her direction to see if she was going to respond negatively to me. The pink eyes followed me and she growled. I walked up to her, sniffed her face and neckline. I didn’t smell any other male on her, and I walked to her raised rump. Burying my nose in her groin I smelled deeper, and she shifted her body. I felt it before I could see it. She was shifting, changing from albino panther to human. I sat on my hindquarters as I watched. Her white fur seemed to melt from her, sliding upwards, starting with her back legs. The flesh and fur on her feet slid forward, leaving human feet and calves. It was fully fleshed, unlike some lycanthrope changes when they’re younger. The calves of her legs appeared, and slowly slid up. The panther flesh was sliding forward, slowly and methodically. Across her ass and groin, now lower back and stomach. The pheromones I smelled earlier were coming from her, the human form. I stood and started pacing behind her, and her panther head shook in a very human gesture. I stopped, fighting the desire to lean forward and lick her wetness with my large tongue. The flesh was sliding forward and as her teats turned into breasts, I growled in need. Next were her shoulders and arms, then her head and hands. As the transformation ended, there was a pile of fur and flesh lying in front of her. Her human form was beautiful; a full figured woman with long white hair, that was perfectly natural. She looked to be in her early forties, but didn’t have a line on her face that she didn’t want. In the corners of her eyes were small, but beautiful, crow’s feet, laugh lines surrounded her mouth. She laid out with her former form under her, laying on it, propped up by her elbows. She smiled with the confidence of someone who was used to being in charge. Her long hair flowed around her shoulders, framing her body. She reminded me of someone, but I couldn’t figure out who.”

WoodsEroticaWerecats
Book:Divergence: Erotica from a Different Angle
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“Ogni mediazione proietta un suo miraggio; i miraggi si susseguono come altrettante "verità" che subentrino alle verità anteriori come una vera e propria uccisione del ricordo vivente e si proteggano dalle verità future con una censura implacabile dell'esperienza quotidiana. Marcel Proust chiama "Io" i "mondi" proiettati dalle successive mediazioni. Gli Io sono perfettamente isolati gli uni dagli altri, incapaci di rammentarsi degli Io passati o di presagire gli Io futuri.”

DesireIdentityExpectationsExperiencesProustMarcel ProustIoGirardDesiderio Triangolare
Book:Deceit, Desire and the Novel: Self and Other in Literary Structure
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“So what if it’s Achilles’ mother who can have a son that’s greater than its father? What if it’s Io, too? What if it’s any girl, every girl? Any woman? Every woman, Anna. Sure and can’t any son be greater than his father? Isn’t that what it’s all about, what makes us all go on? Ye can’t look at the sheer bloody-minded defiance of a wee babe screaming its lungs out at the terrible injustice of the world and not have hope. Every generation of us, all born kicking up a racket, revels every one of us. So who’s the son— the child— that’s greater than its father? I’ll tell ye who it is, Anna. Humanity.”

HumanityGreatnessAchillesIo
Book:Vellum
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