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Quote by François Blais

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La classe de madame Valérie

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François Blais

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“Government and revolution, the Tsar and the Radicals, were both philistines in art. The radical critics fought despotism, but they evolved a despotism of their own. The claims, the promptings, the theories that they tried to enforce were in themselves just as irrelevant to art as was the conventionalism of the administration. What they demanded of an author was a social message and no nonsense, and from their point of view a book was good only insofar as it was of practical use to the welfare of the people. There was a disastrous flaw in their fervor. Sincerely and boldly they advocated freedom and equality but they contradicted their own creed by wishing to subjugate the arts to current politics. If in the opinion of the Tsars authors were to be the servants of the state, in the opinion of the radical critics writers were to be the servants of the masses. The two lines of thought were bound to meet and join forces when at last, in our times, a new kind of regime, the synthesis of a Hegelian triad, combined the idea of the masses with the idea of the state.”

ArtFreedomCommunismDictatorshipLiterary CriticismAutocracyArt Politics
Book:Lectures on Russian Literature
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“We could visit whenever we wanted, Ashiya and Okayama were practically next door, and there were no diesel fumes on the Shinkansen. Though we had parted repeating those assurances over and over, in the thirty years since, Mina and I have seen each other only a handful of times. It's not that we’ve grown apart or lost track of each other, but simply that time has slipped away much more quickly than we could have imagined when we were young.”

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Book:Mina's Matchbox
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“Increasingly over the last maybe forty years, the thought has come to me that the old world in which our people lived by the work of their hands, close to weather and earth, plants and animals, was the true world; and that the new world of cheap energy and ever cheaper money, honored greed, and dreams of liberation from every restraint, is mostly theater. This new world seems a jumble of scenery and props never quite believable, an economy of fantasies and moods, in which it is hard to remember either the timely world of nature or the eternal world of the prophets and poets." -Wendell Berry, Andy Catlett Early Travels, p. 93”

AmericaHistoryEconomyAmerican Life
Book:Andy Catlett: Early Travels
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