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Quote by Володимир Шабля

“The hospital’s long-time cook, Iryna, mechanically peeled potatoes as usual — breakfast had to be prepared for the patients. Work was work, and she was now the only breadwinner in her family. Yet today her thoughts were entirely at home. There, her pregnant daughter Maria had been struck down by typhus and had lain alone in critical condition for a week. To make matters worse, no one was with her. Normally, Iryna would visit her sick daughter during the day. But today the hospital was in emergency mode — another convoy of wounded from the civil war had arrived. A mother’s heart was tearing itself toward her child… though what could she really do? Wiping her hands on a towel, Iryna approached the small icon depicting the Virgin Mary with the infant Jesus. She knelt, folded her hands to her chest, fixed her gaze on the immaculate face of the Mother of God — and began to pray. — Volodymyr Shablia, Stone. Book One Context note: Set during the chaos of the Ukrainian Civil War and a typhus epidemic, this scene shows the quiet suffering of civilians. While the hospital is overwhelmed with wounded, a mother torn between duty and fear turns to faith — highlighting the human cost of war beyond the battlefield.”

Quote by Володимир Шабля

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Володимир Шабля

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“In Dallas for the premier of '9 to 5', I had an uncanny experience, and on the plane home to Chicago I confessed it to Siskel: I had been granted a private half hour with Dolly Parton, and as we spoke I was filled with a strange ethereal grace. This was not spiritual, nor was it sexual. It was healing and comforting. Gene listened and said, "Roger, I felt the exact same thing during my interview with her." We looked at each other. What did this mean? Neither one of us ever felt that feeling again. From time to time we would refer to it in wonder.”

“Soon after the birth, Maria was shown her son. He was no longer crying. The baby was tiny, frail, his skin wrinkled — yet his bright, restless eyes darted stubbornly in every direction, as if he were trying to take in this vast, unfamiliar, and beautiful world as quickly as possible. “You did well, Maria! You have a son! You did well!” Irina kissed her daughter’s hand joyfully. “Everything will be all right now.” Seeing her child, Maria felt relief wash over her. She longed to take him into her arms, to press him to her chest — but the baby was taken away. After the necessary procedures, the midwife quietly pulled Irina aside. “Breastfeeding is dangerous,” she whispered. “The baby could contract typhus. But he is premature, weak — and if he does not receive colostrum now, I fear he will not survive. The previous woman gave birth a week ago and has no colostrum left. I believe we must take the risk: newborns contract infection from sick mothers in only about a third of cases.” Irina looked at her grandson lying in her arms. He jerked his tiny hands and feet at random — then smiled clumsily. “God’s will be done,” she said firmly. “A child must drink his mother’s milk.” When the alcohol-sterilized breast was offered to the baby, it turned out his mouth was too small to take the nipple. Fortunately, the other breast was smaller — and the boy latched on with determined urgency. Holding the flesh of her flesh to her chest, feeling her son’s gentle sucking, Maria experienced a moment of pure euphoria. The terrible illness receded, making way for the overwhelming joy of motherhood. Neither Maria nor the newborn knew of the danger of infection. They were simply following the ancient law of nature. And Irina spent the rest of the day in prayer, asking God to spare two souls — her daughter and her grandson. — Volodymyr Shablia, Stone. Book One Context note: During the Ukrainian Civil War of 1920, amid epidemics, hunger, and collapsing authority, a premature child is born into a world where survival depends on instinct, faith, and impossible choices. This moment captures motherhood and mercy standing against historical catastrophe.”