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Quote by Fábio Moon

“There’s no understanding the power of a mother, of Zana in particular, because she was the only one who didn’t swallow the story of the English bank. When a son’s fate is at stake, no detective in the world can find more clues than a mother.”

Quote by Fábio Moon

Book:Two Brothers
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Work

Two Brothers

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Author

Fábio Moon

Fábio Moon, born on June 5, 1976, is a renowned comic book creator from Brazil. Alongside Sebastião Andrade, he founded the comic studio Cidade das Artes, which has gained recognition in the comic industry for its unique artistic style and creativity. more

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“Justin frowned. "Do I have to stay in the nursery? With the the babies?" “Darling, you’re four years old—” “Almost five!” Phoebe's lips quirked. There was a wealth of interest and empathy in the gaze she bent on her small son. “You may stay in my room, if you like,” she offered. The child was appalled by the suggestion. “I can’t sleep in your room,” he said indignantly. “Why not?” “People might think we were married!” West concentrated on a distant spot on the floor, struggling hold back a laugh. When he was able, he took a steadying breath and risked a glance at Lady Clare. To his secret delight, she appeared to be considering the point as if it were entirely valid.”

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“John scrambled up and down the terraces and banks, hunting out the secret breaks in the thickets or crawling through hollows woven from sharp-spined stems. Blackberries lured him into sun-pricked chambers. Old byways closed and new ones opened, drifts of nettles surging forward then dying back. The sun beat down until the grass on the green parched. But on the high slopes the rank stems sprang up as lush as ever. Springs ran beneath the turf, his mother told him. Enough water to fill a river. Together they pulled peppery watercress from the edges of marshy puddles and grubbed up tiny sweet carrots, dark purple under the dusty earth. Clover petals yielded honey-beads and jellylike mallow seeds savored of nuts. Tiny strawberries sheltered under ragged leaves and sweet blackberries swelled behind palisades of finger-pricking thorns.”

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“Clearings opened on either side. Familiar smells drifted in the air: fennel, skirrets and alexanders, then wild garlic, radishes and broom. John looked about while his mother tramped ahead. Then a new scent rose from the wild harvest, strong in John's nostrils. He had smelt it the night the villagers had driven them up the slope. Now, as his mother pushed through a screen of undergrowth, he saw its origin. Ranks of fruit trees rose before him, their trunks shaggy with lichen, their branches decked with pink and white blossom. John and his mother walked forward into an orchard. Soon apple trees surrounded them, the sweet scent heavy in the air. Pears succeeded them, then cherries, then apples again. But surely the blossom was too late, John thought. Only the trees' arrangement was familiar for the trunks were planted in diamonds, five to a side. He knew it from the book. The heavy volume bumped against his mother's leg. He gave her a curious look but she seemed unsurprised by the orchards. As the scent of blossom faded, another teased his nostrils, remembered from the same night. Lilies and pitch. Looking ahead, John saw only a stand of chestnuts overwhelmed by ivy, the glossy leaves blurring the trunks and boughs into a screen.”

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“Sensing another maternal oration coming on, one of those I-bore-you-and-thus-know-what’s-best-for-you lectures, Richard made a pointed move towards the door. ‘If that’s all for the moment, Mother, I really must be off. The War Office…’ The marchioness gave another of her infamous harrumphs. ‘Have a good time at White’s, darling,’ she said pointedly. Richard paused halfway out the door and flashed her an incredulous look. ‘How do you always know?’ Lady Uppington looked smug. ‘Because I’m your mother. Now, shoo! Get along with you!”

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“Dead. He thought to himself, all dead. For me, you have been dead a long time, as long as I can remember. You, who gave a life to me and to Taro and tried to make us conform to a mold which never existed for us because we never knew of it, were never alive to us in the way that other sons and daughters know and feel and see their parents. But you made so many mistakes. It was a mistake to have ever left Japan. It was a mistake to leave Japan and to come to America and to have two sons and it was a mistake to think that you could keep us completely Japanese in a country such as America. With me, you almost succeeded, or so it seemed. Sometimes I think it would have been better had you fully succeeded. You would have been happy and so might I have known a sense of completeness. But the mistakes you made were numerous enough and big enough so that they, in turn, made inevitable my mistake. I have had much time to feel sorry for myself. Suddenly I feel sorry for you. Not sorry that you are dead, but sorry for the happiness you have not known. So, now you are free. Go back quickly. Go to the Japan that you so long remembered and loved, and be happy.”

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“Only then did he hear the small gasp—a soundless cry—and feel his mother’s cold fingers tightening on his arm. He turned toward her. Saw the red stain spreading across the front of her dress where the sword had driven in. Through him. Through her. There, just above her heart. The too-small hole of a too-great wound. His mother’s eyes met his. “Rhy,” she said, a small, disconcerted crease between her brows, the same face she’d made a hundred times whenever he and Kell got into trouble, whenever he shouted or bit his nails or did anything that wasn’t princely. The furrow deepened, even as her eyes went glassy, one hand drifting toward the wound, and then she was falling. He caught her, stumbled as the sudden weight tore against his open, ruined chest. “No, no, no,” he said, sinking with her to the prismed floor. No, it wasn’t fair. For once, he’d been fast enough. For once, he’d been strong enough. For once— “Rhy,” she said again, so gently—too gently. “No.” Her bloody hands reached for his face, tried to cup his cheek, and missed, streaking red along his jaw. “Rhy …” His tears spilled over her fingers. “No.” Her hand fell away, and her body slumped against him, still, and in that sudden stillness, Rhy’s world narrowed to the spreading stain, the lingering furrow between his mother’s eyes. Only then did the pain come, folding over him with such sudden force, such horrible weight, that he clutched his chest and began to scream.”

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“For what it’s worth,” said the Veskan prince, raising his blade. “I really only came for the queen.” His mother spread her arms, the air around her fingers shimmering with frost. “Rhy,” she said, her voice a plume of mist. “Run.” Before the word was fully out, Col was surging forward. The Veskan was fast, but Rhy was faster, or so it seemed as the queen’s magic weighted Col’s limbs. The icy air wasn’t enough to stop the attack, but it slowed Col long enough for Rhy to throw himself in front of his mother, the blade meant for her driving instead into his chest.”

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