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Quote by Lonnie G. Bunch III

“As I conceptualized the National Museum of African American History and Culture, I knew it had to fulfill Mamie Mobley's charge: to be a place that carried the burden of history and the weight of memory, regardless of how painful or difficult it was. At the core of the museum, therefore, would be a commitment to remember.”

Quote by Lonnie G. Bunch III

Book:A Fool's Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump
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A Fool's Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump

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Lonnie G. Bunch III

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“The public space of the museum is not my favorite, loud and full of tourists and school groups and hungry hordes. Their curiosity is endearing---they're acolytes for the natural world. And the marble gleams with architectural detail and precious objects all around. But on these, my gray days, entering the building carries the weight of death: all the specimens, thousands of carcasses of every species, stuffed or otherwise retrieved from oblivion so we can know them, yet all dead. The birds I draw and paint, all dead. On these days, my only defense is to imagine every pinned butterfly taking wing, every stuffed marsupial waking up, every preserved plant specimen blooming and carpeting the marble floor like a time-lapse forest, and every bird coming to life, flying up to the dome and away. On the days when the fog comes and hooks into my gut like a sharp-toothed parasite, these visions can save me. The steadier, more consistent salvation, of course, is the work. I can lose myself for hours drawing, for instance, the common loon, with its inky head, white banding at the neck, and an intricacy of pin dots and fractured rectangles cascading across the wings. With the right precision, I can bring the deadness of a bird skin to a striking facsimile of life.”

ArtistLife And DeathMuseumSmithsonianOrnithologyField Of Study
Book:The Marsh Queen
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“Delores, the Wise Woman of Botany, told me while I was in Washington that every seven years, employees of my pay grade are entitled to a sabbatical, and I'm two years late in taking mine. She helped me fill out the form. I listed my purpose: "to study the birds of the southeastern United States with an emphasis on the marshlands of Florida." Hugh Adamson sputtered an objection, but he couldn't do a thing. Apparently, the sabbatical is a long-standing Smithsonian policy that would actually take an Act of Congress to reverse. I didn't write on the form of my other intention: to freelance, get my name out there, and see whether Florida is where I belong.”

PolicyEntitledPurpose In LifeSmithsonianSabbaticalOrnithology
Book:The Marsh Queen
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“"Okay!...my three dots! have people ever reproached me for them! they've slobbered on about my three dots!...'Ah! his three dots!...Ah, his three dots!...He can't finish his sentences!' Every stupidity in the book! every one, Colonel!" "So?" "Go!pss!pss!...piss off, Colonel! and what's your opinion, Colonel?" "Instead of those three dots, you might just as well put in a few words, that's what I feel!"”

Literary StylePissThree Dots
Book:Conversations with Professor Y
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“Just a few days before, Jason had been part of the noisy street- scape, trying to talk to his aunt Joyce back in Shakopee, Minnesota. To avoid the blaring traffic and techno music, he’d ducked into a quiet construction site, phone pressed against his ear, eyes on his shoes. That was when a hard punch connected with his cheekbone. The phone went flying. Probably the worst text I’ve ever gotten was the one line, Jason’s been mugged. Accounting it later, he would say his military training must have kicked in. “Before I could think about it, I’d kicked the legs out from under one of the guys.” And that was when he said it. Jason uttered a phrase so outrageous, so utterly shameless, it can be used only once per life- time, and until then stored in a special box sternly labeled, In case of emergency, break glass. “It’s terrible; it’s right out of a Steven Seagal direct-to-VHS movie,” he admitted, as I coaxed the story out of him again. “Well, I mustered up my army drill sergeant voice and I barked, ‘Motherf*cker! You want a piece of me?’” Jason claims the second it came out of his mouth, he was already embarrassed. Embarrassed in front of what turned out to be teen boys, kids really, who clearly didn’t speak English. They ran off with his phone and Jason found his way back to Brian’s hospital room with a headache, a purple contusion, and a strong will to get his brother well—and the hell out of Asia.”

HumorSteven Seagal
Author:Lucie Amundsen
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“...at Warner Brothers, the casting debate for the bad guy’s off-sider continued unabated. Jon Peters suggested Gary Busey. Now Gary was the villain’s off-sider in Under Siege, and was killed at the end of that movie when he was hit by a 16-inch shell from the USS Missouri while in a submarine. The scene seemed to leave little chance that he could have survived. Jon was undeterred by this and suggested we give him a scar. He then went ahead and unilaterally made Gary an offer. It turned out that Seagal had a clause in his contract that gave him right of approval over decisions concerning the key cast members, and he regarded this as such a decision. He was enraged: his contract had been violated by Jon’s unilateral action. He had been fighting with Jon over a number of issues for some time and had had enough — it was time for a showdown.”

BtsUnder Siege1995Steven SeagalJon Peters
Book:Geoff Murphy: A Life on Film - I'm taking this bloody car to Invercargill
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