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Quote by Tessa Dare

“It's a fine, warm day,” Henry replied. “I thought a spot of fishing?” “Just the thing!” said Felix. “Will you join us, Lucy?” Lucy felt Kitty and Sophia staring at her. Well-bred ladies, evidently, did not fish. “Oh, no! I assure you, Mr. Crowley-Cumberbatch, I have given up those hoyden pursuits of my youth.” She turned to Toby. “I haven't been fishing in ages. I can't remember the last time.” “Really, Luce?” Toby sounded incredulous. “Henry—is it true?” Henry sawed away at a slice of ham. “If you count six days as ages, then I suppose it's true. But if you can't remember six days back, Lucy, and you've forgotten Felix's Christian name, I'm concerned for you. Perhaps you've been spending too much time with Aunt Matilda.”

Quote by Tessa Dare

Book:Goddess of the Hunt
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Work

Goddess of the Hunt

This book is a fictional narrative that delves into the story of a powerful female figure who is revered as a goddess of the hunt. The story likely follows her journey through various challenges and triumphs, showcasing her strength and wisdom in the face of mythical creatures and human adversaries. more

Author

Tessa Dare
Tessa Dare

Tessa Dare is a British novelist known for her romance novels. Her works are typically set in historical settings and combine humor with emotional depth, making them popular among readers. more

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“...منذ نظم الشعراء شعراً..ومنذ أن قرأت النساء هذا الشعر ( ويجب أن نشكر لهن ذلك أعمق الشكر) سُميت النساء ملائكة، وبلغت هذه التسمية من التكرار أنهن من بساطة قلوبهن صدقنها، ناسيات أن هؤلاء الشعراء أنفسهم يمكن أن يضعوا نيرون (الإمبراطور المجنون الذي أحرق روما) في مصاف أنصاف الآلهة، في سبيل مال يحصلون عليه.”

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“How can so many (white, male) writers narratively justify restricting the agency of their female characters on the grounds of sexism = authenticity while simultaneously writing male characters with conveniently modern values? The habit of authors writing Sexism Without Sexists in genre novels is seemingly pathological. Women are stuffed in the fridge under cover of "authenticity" by secondary characters and villains because too many authors flinch from the "authenticity" of sexist male protagonists. Which means the yardstick for "authenticity" in such novels almost always ends up being "how much do the women suffer", instead of - as might also be the case - "how sexist are the heroes". And this bugs me; because if authors can stretch their imaginations far enough to envisage the presence of modern-minded men in the fake Middle Ages, then why can't they stretch them that little bit further to put in modern-minded women, or modern-minded social values? It strikes me as being extremely convenient that the one universally permitted exception to this species of "authenticity" is one that makes the male heroes look noble while still mandating that the women be downtrodden and in need of rescuing. -Comment at Staffer's Book Review 4/18/2012 to "Michael J. Sullivan on Character Agency”

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Author:Foz Meadows
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