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Quote by Mary Warnock

“Without imagination we should be lost; for only with its help can we interpret our experience, turn it into experience of an outer world, and thus make use of it in understanding what and where we are, and what we need to do.”

Quote by Mary Warnock

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Imagination and Time

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Mary Warnock

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“All life is death. You don't fool yourself about this anymore. You slash at the perfect canvas with strokes of paint and replace the perfect picture of your imagination with the reality of what you are capable of. From death, and sorrow, and compromise, you create. This is what it means, you finally realize, to be alive. ("The Chambered Fruit")”

“Girl going past clinging to a young man's arm. Putting up her face like a duck to the moon. Drinking joy. Green in her eyes. Spinal curvature. No chin, mouth like a frog. Young man like a pug. Gazing down at his sweetie with the face of a saint reading the works of God. Hold on, maiden, you've got him. He's your boy. Look out, Puggy, that isn't a maiden you see before you, it's a work of imagination. Nail him, girlie. Nail him to the contract. Fly laddie, fly off with your darling vision before she turns into a frow, who spends all her life thinking of what the neighbours think.”

“The fantastic postulates that there are forces in the outside world, and in our own natures, which we can neither know nor control, and these forces may even constitute the essence of our existence, beneath the comforting rational surface. The fantastic is, moreover, a product of human imagination, perhaps even an excess of imagination. It arises when laws thought to be absolute are transcended, in the borderland between life and death, the animate and the inanimate, the self and the world; it arises when the real turns into the unreal, and the solid presence into vision, dream or hallucination. The fantastic is the unexpected occurrence, the startling novelty which goes contrary to all our expectations of what is possible. The ego multiplies and splits, time and space are distorted.”

“Without imagination, we merely see or hear, and even if we see or hear that the objects of the senses are beautiful, we cannot feel that they are so. The difference is this: in feeling the beauty of objects, we enjoy not only the common, shared pleasures of the senses, but also the private pleasures of the imagination, peculiar to ourselves, and such that we have to struggle to articulate them.”