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Quote by Pete Walker

“I am continuously struck by how frequently the various thought processes of the inner critic trigger overwhelming emotional flashbacks. This is because the PTSD-derived inner critic weds shame and self-hate about imperfection to fear of abandonment, and mercilessly drive the psyche with the entwined serpents of perfectionism and endangerment. Recovering individuals must learn to recognize, confront and disidentify from the many inner critic processes that tumble them back in emotional time to the awful feelings of overwhelming fear, self-hate, hopelessness and self-disgust that were part and parcel of their original childhood abandonment.”

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Pete Walker

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“In this image (watching sensual murder through a peephole) Lorrain embodies the criminal delight of decadent art. The watcher who records the crimes (both the artist and consumer of art) is constructed as marginal, powerless to act, and so exculpated from action, passive subject of a complex pleasure, condemning and yet enjoying suffering imposed on others, and condemning himself for his own enjoyment. In this masochistic celebration of disempowerment, the sharpest pleasure recorded is that of the death of some important part of humanity. The dignity of human life is the ultimate victim of Lorrain's art, thrown away on a welter of delighted self-disgust.”

MurderArtistsDecadenceMasochismDecadentConsumerDisempowermentVoyeurismSelf DisgustDiginty
Author:Jennifer Birkett
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“He stopped at an intersection, panting, rubbing at the twinge in his hamstrings, looking around, though he knew no cars were coming in either direction. Dropping forward at the waist Martin admitted that he was fucking himself up. Dr Leonowsky told him: hurting yourself is an articulation of self-disgust. It helps no one, prevents nothing. This wasn’t a glorious loss of control, he was fooling himself, it was self-harm.”

PainShameSelf Disgust
Book:Gods and Beasts
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“Secondly, this text will often refer to the “collapse of compassion” effect. It has been repeatedly demonstrated that humans care more about animals when they are presented as named individuals, rather than when they are shown in groups (Payne 2010). Generally, the more victims a tragedy has, the less humans will care, and the less-likely they are to donate their time or money to help solve the situation (Payne 2010; Cameron et al. 2011: 1). This is termed the “collapse of compassion” Effect.”

AnimalsAnimal WelfareRepresentation Of Minorities
Book:The Disneyfication of Animals
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