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Quote by Salman Rushdie

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The Satanic Verses

The Satanic Verses is a complex and controversial novel that delves into the lives of various characters, including a man accused of assassinating the Prophet Muhammad. The story intertwines their personal narratives with broader discussions about religious beliefs, cultural misunderstandings, and the nature of truth. The novel is known for its exploration of the line between reality and imagination, and its portrayal of the complexities of human relationships and the impact of religious fervor on individual lives. more

Author

Salman Rushdie
Salman Rushdie

Salman Rushdie (born June 19, 1947) is a British-Indian novelist and essayist. Known for his magical realism style, his novel Midnight's Children won the Booker Prize in 1981. His works often explore themes of cultural conflict, religion, and politics. In 1988, his novel The Satanic Verses sparked global controversy, leading to a fatwa issued by Iran's Ayatollah Khomeini calling for his assassination. Rushdie spent years in hiding under police protection. He remains a prominent voice in contemporary English literature, celebrated for his literary innovation and defense of free expression. more

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“Daniel reaches out and grabs my hand to steady me. His skin is warm and soft, and holding his hand sends an electric sensation up my right arm. He holds my hand firmly until I regain my balance, which takes me a heartbeat longer than it should have. “Thanks for keeping me from falling,” I say. He smiles warmly. “Sometimes we just can’t stop ourselves from falling, cher.”

“One thing they don’t tell you ’bout the blues when you got ’em, you keep on fallin’ ’cause there ain't no bottom,' sings Emmylou Harris, and she may be right. Perhaps it would help to be told that there is no bottom, save, as they say, wherever and whenever you stop digging. You have to stand there, spade in hand, cold whiskey sweat beaded on your brow, eyes misshapen and wild, some sorry-ass grave digger grown bone-tired of the trade. You have to stand there in the dirty rut you dug, alone in the darkness, in all its pulsing quiet, surrounded by the scandal of corpses.”

“I remember that day very clearly: I had received a phone call. A friend had been in an accident. Perhaps she would not live. She had very little face, and her spine was broken in two places. She had not yet moved; the doctor described her as “a pebble in water.” I walked around Brooklyn and noticed that the faded peri-winkle of the abandoned Mobil gas station on the corner was suddenly blooming. In the baby-shit yellow showers at my gym, where snow sometimes fluttered in through the cracked gated windows, I noticed that the yellow paint was peeling in spots, and a decent, industrial blue was trying to creep in. At the bottom of the swimming pool, I watched the white winter light spangle the cloudy blue and I knew together they made God. When I walked into my friend’s hospital room, her eyes were a piercing, pale blue and the only part of her body that could move. I was scared. So was she. The blue was beating.”