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Quote by Mahmoud Darwish

“A place is not only a geographical area; it's also a state of mind. And trees are not just trees, they are the ribs of childhood.”

Quote by Mahmoud Darwish

Author

Mahmoud Darwish
Mahmoud Darwish

Mahmoud Darwish was a renowned Lebanese poet known for his profound poetry and strong nationalist sentiments. His works extensively explored the sufferings and hopes of the Palestinian people, profoundly influencing Middle Eastern literature. more

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“Attendez!... Je choisis mes rimes... Là, j'y suis. (Il fait ce qu'il dit, à mesure.) Je jette avec grâce mon feutre, Je fais lentement l'abandon Du grand manteau qui me calfeutre, Et je tire mon espadon; Élégant comme Céladon, Agile comme Scaramouche, Je vous préviens, cher Mirmidon, Qu'à la fin de l'envoi, je touche! (Premier engagement de fer.) Vous auriez bien dû rester neutre; Où vais-je vous larder, dindon ?... Dans le flanc, sous votre maheutre ?... Au coeur, sous votre bleu cordon ?... - Les coquilles tintent, ding-don ! Ma pointe voltige: une mouche ! Décidément... c'est au bedon, Qu'à la fin de l'envoi, je touche. Il me manque une rime en eutre... Vous rompez, plus blanc qu'amidon ? C'est pour me fournir le mot pleutre ! - Tac! je pare la pointe dont Vous espériez me faire don: - J'ouvre la ligne, - je la bouche... Tiens bien ta broche, Laridon ! A la fin de l'envoi, je touche. (Il annonce solennellement:) Envoi Prince, demande à Dieu pardon ! Je quarte du pied, j'escarmouche, Je coupe, je feinte... (Se fendant.) Hé! Là donc! (Le vicomte chancelle, Cyrano salue.) A la fin de l'envoi, je touche.”

“The Ballad of Philippe Petit —for the world's greatest rope dancer Philippe Petit hangs his high wire in the third eye of God, fills the dull air with blue fire, all alone on the big city street, Little Phillip, Philippe Petit. Philippe Petit, high priest of daring, feels wind pulse in his feet, flying high on his mystical string, between tall towers above the street. Little Phillip, Philippe Petit. Little Phillip by the Golden Fleece, making Seventh Avenue sing. He draws a magic circle of chalk, rides his cycle around in a ring, Little Phillip, Philippe Petit. Little Phillip, clown gargoyle, spewing light on the grey street, rope dances twirling sticks of fire, bright sparkle of the dark street, Little Phillip, Philippe Petit. Philippe Petit juggles fire and balls, winks at Zeus, laughs at Mars, pulls Newton's beard, sups with God, cycling his way from heaven to street. Little Phillip, Philippe Petit. Little Phillip, when we get there, you'll surely be on high, juggling molecules for your maker on the wide streets of the sky, Little Phillip, Philippe Petit. Philippe Petit, The King of Heaven has a brilliant little fool juggling fire at his footstool. A light on the dark city street, A light, a light, Philippe Petit.”

“There is simply no problem of life; it is absolutely purposeless play; it doesn't have to continue; there is no reason whatever to explain it, for explanations are just another form of complexity, a new manifestation of life on top of life, gestures gesturing. If there is any problem at all it is to find out how people come to think there is a problem, whatever made them imagine that life is serious. Basically there is the gesture. Time, space, multiplicity are all complications of it. Pain and suffering are very far-out forms of play, and there just isn't anything at all to be afraid of. There isn't any ego. The ego is a kind of flip, knowing that you know — like being afraid of being afraid. It's a curlicue, an extra jazz to things, a sort of double take or reverberation, a dithering of consciousness which is the same as anxiety.”