Quotessence
Home / Quotes / Quote by William Shatner

Quote by William Shatner

“Given the freedom to create, everybody is creative. All of us have an innate, instinctive desire to change our environment, to put our original stamp on this world, to tell a story never told before. I’m absolutely thrilled at the moment of creativity – when suddenly I’ve synthesized my experiences, reality, and my imagination into something entirely new. But most people are too busy working on survival to find the opportunity to create. Fortunately, I’ve been freed by reputation, by the economics of success, and by emotional contentment to turn my ideas into reality. I’ve discovered that the more freedom I have to be creative, the more creative I become.”

Quote by William Shatner

Book:Up Till Now
Create image

Work

Up Till Now

This book is a compilation of essays that delve into the author's personal journey and insights gained over the years. The essays cover a range of topics, from personal growth to societal issues, offering readers a glimpse into the author's perspective and the evolution of their thoughts. more

Author

William Shatner
William Shatner

William Shatner, born on March 22, 1931, is a renowned Canadian-American actor. He is best known for his role as Captain James T. Kirk in the television series 'Star Trek', which has made him a iconic figure in the science fiction culture. Shatner's acting career spans over half a century, with notable performances in film, television, and theater. more

You May Also Like

“--You're rather well read for a working-class girl, she said with her back to me. --Really? I've found that all my well-read friends are from the working class. --Oh my. Why do you think that is? The purity of poverty? --No. It's just that reading is the cheapest form of entertainment. --Sex is the cheapest form of entertainment. --Not in this house.”

ReadingSexClassBooksEntertainmentWorking ClassLiteracyClasses
Book:Rules of Civility
Create image

“She was simple, not being able to adorn herself, but she was unhappy, as one out of her class; for women belong to no caste, no race, their grace, their beauty and their charm serving them in place of birth and family. Their inborn finesse, their instinctive elegance, their suppleness of wit, are their only aristocracy, making some daughters of the people the equal of great ladies.”

ClassAristocracy
Book:A Piece of String / The Necklace
Create image

“There's one big difference between the poor and the rich,' Kite says, taking a drag from his cigarette. We are in a pub, at lunch-time. John Kite is always, unless stated otherwise, smoking a fag, in a pub, at lunch-time. 'The rich aren't evil, as so many of my brothers would tell you. I've known rich people -- I have played on their yachts -- and they are not unkind, or malign, and they do not hate the poor, as many would tell you. And they are not stupid -- or at least, not any more than the poor are. Much as I find amusing the idea of a ruling class of honking toffs, unable to put their socks on without Nanny helping them, it is not true. They build banks, and broker deals, and formulate policy, all with perfect competency. 'No -- the big difference between the rich and the poor is that the rich are blithe. They believe nothing can ever really be so bad, They are born with the lovely, velvety coating of blitheness -- like lanugo, on a baby -- and it is never rubbed off by a bill that can't be paid; a child that can't be educated; a home that must be left for a hostel, when the rent becomes too much. 'Their lives are the same for generations. There is no social upheaval that will really affect them. If you're comfortably middle-class, what's the worst a government policy could do? Ever? Tax you at 90 per cent and leave your bins, unemptied, on the pavement. But you and everyone you know will continue to drink wine -- but maybe cheaper -- go on holiday -- but somewhere nearer -- and pay off your mortgage -- although maybe later. 'Consider, now, then, the poor. What's the worst a government policy can do to them? It can cancel their operation, with no recourse to private care. It can run down their school -- with no escape route to a prep. It can have you out of your house and into a B&B by the end of the year. When the middle-classes get passionate about politics, they're arguing about their treats -- their tax breaks and their investments. When the poor get passionate about politics, they're fighting for their lives. 'Politics will always mean more to the poor. Always. That's why we strike and march, and despair when our young say they won't vote. That's why the poor are seen as more vital, and animalistic. No classical music for us -- no walking around National Trust properties, or buying reclaimed flooring. We don't have nostalgia. We don't do yesterday. We can't bear it. We don't want to be reminded of our past, because it was awful; dying in mines, and slums, without literacy, or the vote. Without dignity. It was all so desperate, then. That's why the present and the future is for the poor -- that's the place in time for us: surviving now, hoping for better, later. We live now -- for our instant, hot, fast treats, to prep us up: sugar, a cigarette, a new fast song on the radio. 'You must never, never forget, when you talk to someone poor, that it takes ten times the effort to get anywhere from a bad postcode, It's a miracle when someone from a bad postcode gets anywhere, son. A miracle they do anything at all.”

GovernmentPoliticsPoorClassRich
Book:How to Build a Girl
Create image

“Maintaining connections with family and community across class boundaries demands more than just summary recall of where one’s roots are, where one comes from. It requires knowing, naming, and being ever-mindful of those aspects of one’s past that have enabled and do enable one’s self-development in the present, that sustain and support, that enrich. One must also honestly confront barriers that do exist, aspects of that past that do diminish.”

FamilyClass
Book:Talking Back: Thinking Feminist, Thinking Black
Create image

“Wait, wait,' he began, interrupting Oblonsky. 'Aristocratism, you say. But allow me to ask, what makes up this aristocratism of Vronsky or whoever else it may be - such aristocratism that I can be scorned? You consider Vronsky an aristocrat, but I don't. A man whose father crept out of nothing by wiliness, whose mother, God knows who she didn't have liaisons with... No, excuse me, but I consider myself an aristocrat and people like myself, who can point to three or four honest generations in their families' past, who had a high degree of education (talent and intelligence are another thing), and who never lowered themselves before anyone, never depended on anyone, as my father lived, and my grandfather. And I know many like that. You find it mean that I count the trees in the forest, while you give away thirty thousand to Ryabinin; but you'll have rent coming in and I don't know what else, while I won't, and so I value what I've inherited and worked for... We're the aristocrats, and not someone who can only exist on hand-outs from the mighty of this world and can be bought for twenty kopecks. 'But who are you attacking? I agree with you,' said Stepan Arkadyich sincerely and cheerfully, though he felt Levin included him among those who could be bought for twenty kopecks.”

ClassAristocracyLevinOblonsky
Book:ANNA KARENINA
Create image