Quotessence
Home / Quotes / Quote by Salman Rushdie

Quote by Salman Rushdie

“The story of ten-year engagement and of Ormus’ consequent oath of celibacy spreads quickly; and this, too, makes Ormus and Vina irresistible. The new band takes off almost at once, and the force of its ascending shakes the land. Starting at oddities, ther grow quickly into giants. At once conqueror and celebrant, Ormus storms the citadels of rock, and Vina’s voice, as Yul Singh oversaw, is his weapon. Her voice is the servant of his melodies, his singing the servant of her voice.”

Quote by Salman Rushdie

Work

The Ground Beneath Her Feet

The Ground Beneath Her Feet is a novel that intertwines the lives of various characters with the evolution of music and the impact of historical events on personal relationships. The story spans decades and delves into the complexities of human emotions and the transformative power of art. more

Author

Salman Rushdie
Salman Rushdie

Salman Rushdie (born June 19, 1947) is a British-Indian novelist and essayist. Known for his magical realism style, his novel Midnight's Children won the Booker Prize in 1981. His works often explore themes of cultural conflict, religion, and politics. In 1988, his novel The Satanic Verses sparked global controversy, leading to a fatwa issued by Iran's Ayatollah Khomeini calling for his assassination. Rushdie spent years in hiding under police protection. He remains a prominent voice in contemporary English literature, celebrated for his literary innovation and defense of free expression. more

You May Also Like

“Samplers and their descendents, the PCM synthesizers (especially the Korg M1 and the Roland JV series), imitated not only real instruments much better than analog synthesizers, but also imitated analog synthesizers so well that the latter threatened to follow in the dinosaurs’ footsteps.”

“What’s there to think about? I say we make a choice here and now on this crusty shell-patterned couch. Will we live the lives they want us to live? Or will we blaze our own trails and set sail? Let’s at least give it a shot before we can only wish we had. We can always come back and get a real job and start again.”

“Through the passage of time there was one format that could rival the sound quality of any other, the analog reel-to-reel tape recorder, and this is her story. The reel-to-reel recorder was critical to the widespread surge in global music consumption in the 1950's and beyond, even sound engineers of today will tell you that the reel-to-reel format is extremely high in fidelity, and with the correct tape, the correct usage and right machine, wonders can still be recorded in the recording studio using magnetic reel-to-reel tape recorders”

“Music, too, offers a photograph of the world; characteristically, however, it does this not by copying a few figured sounds but rather by lifting all of the mixed images of extravagance, gushing overflow, and flaming fullness offered by life in its entirety from their immediate objects and weaving them into a carpet—a carpet with its own all-encompassing intensity, quality, and therefore reality.”

“This is something new from England, an opera called the 'Bohemian Girl.' I'll play the air through once and then you sing it. Oh, yes, you can; it's very easy." So Miranda stood beside him and sang, "I Dreamt that I Dwelt in Marble Halls." And when her first self-consciousness wore off she thrilled to the singular appropriateness of the words. Had he guessed her dreams and was that why he had picked this music? But the song was about love as well, and her voice wavered as she thought, Love there can never be for me in these marble halls- this is then not my dream, how could it be?”