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Quote by Derek Landy

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Skulduggery Pleasant

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Author

Derek Landy
Derek Landy

Derek Landy (born October 23, 1974) is an Irish author and screenwriter, best known for his young adult fantasy series Skulduggery Pleasant. Since the first book was published in 2007, the series has sold millions of copies worldwide and been translated into numerous languages. Landy's works are characterized by humor, action, and supernatural elements, appealing to young readers. He was born in Dublin, Ireland, and initially worked as a screenwriter before transitioning to novel writing. In addition to the Skulduggery Pleasant series, he has created other works such as The Demon Road trilogy. Landy's writing style blends dark humor with adventurous plots, making him a significant figure in children's literature. more

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“La gente no sabe lo duro que es tener miedo al hombre con quien vives. Es lo peor de todo. Entras en tu casa como si entrases en la guarida de un lobo y respiras si él no está. Y cuando viene, rezas para que no haya bebido, no haya perdido en el juego y venga tranquilo. No sabes qué hacer ni adónde ir, el miedo te paraliza el cuerpo y la mente. Solo eres miedo.”

“Esa presión que existía: sonreír; sentarse derecha; no decir groserías; comer con la debida etiqueta; vestirse a la moda; no subir de peso; cuidar de las uñas; el maquillaje perfecto; no tomar demasiado; no hablar en público de sexo; no contradecir al otro; cabello sin friz; aliento al despertar con olor a prado primaveral y con sabores de eucalipto y brisa fresca; oler bien, incluida la zona vaginal: hermosa y mítica como sirena, pero sin olor a pescado y sin vellos, por favor. Y así la lista tan larga como ancha, cambiante como cambian los tiempos, las modas, las industrias, el comercio, el marketing. Y ahí iba yo, cumpliendo estos lineamientos sin preguntarme si quería, si me sentía feliz, si era lo que de verdad me gustaba.”

“From the start the proportion of asocials in the camp was about one-third of the total population, and throughout the first years prostitutes, homeless and ‘work-shy’ women continued to pour in through the gates. Overcrowding in the asocial blocks increased fast, order collapsed, and then followed squalor and disease. Although we learn a lot about what the political prisoners thought of the asocials, we learn nothing of what the asocials thought of them. Unlike the political women, they left no memoirs. Speaking out after the war would mean revealing the reason for imprisonment in the first place, and incurring more shame. Had compensation been available they might have seen a reason to come forward, but none was offered. The German associations set up after the war to help camp survivors were dominated by political prisoners. And whether they were based in the communist East or in the West, these bodies saw no reason to help ‘asocial’ survivors. Such prisoners had not been arrested as ‘fighters’ against the fascists, so whatever their suffering none of them qualified for financial or any other kind of help. Nor were the Western Allies interested in their fate. Although thousands of asocials died at Ravensbrück, not a single black- or green-triangle survivor was called upon to give evidence for the Hamburg War Crimes trials, or at any later trials. As a result these women simply disappeared: the red-light districts they came from had been flattened by Allied bombs, so nobody knew where they went. For many decades, Holocaust researchers also considered the asocials’ stories irrelevant; they barely rate mention in camp histories. Finding survivors amongst this group was doubly hard because they formed no associations, nor veterans’ groups. Today, door-knocking down the Düsseldorf Bahndamm, one of the few pre-war red-light districts not destroyed, brings only angry shouts of ‘Get off my patch'.”