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Framed & Hunted: A True Story of Occult Persecution

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Edward Williams

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“Hundreds of words await ostracism from our functional vocabularies: waltz and fizz and squeeze and booze and frozen pizza pie, frizzy and fuzzy and dizzy and duzzy, the visualization of emphyzeema-zapped Tarzans, wheezing and sneezing, holding glazed and anodized bazookas, seized by all the bizarrities of this zany zone we call home. Dazed or zombified citizens who recognize hazardous organizations of zealots in their hazy midst, too late - too late to size down. Immobilized we iz. Minimalized. Paralyzed. Zip Zap. ZZZZZZZZZ. Crazy. Crazy. Did I say crazy?”

“Since my school days when I accidentally discovered this form of verse called ‘Limerick’, I have often wondered about the origin of the name. Was it invented in Ireland perhaps? After some research and several years, I think not. The limerick must have been invented long before it reached the jocular pubs of Limerick in Ireland where the Irish undoubtedly made very good use of it whilst consuming copious amounts of Guinness.”

“It was Edward Lear who created the original limerick, and is credited with A Book of Nonsense (1846). Apparently, he did this to amuse his clients’ children while they were waiting for their parents’ having portraits painted. Edward Lear was an artist first and a poet last. How strange then that we remember him mostly for limericks? Since writing many of these little jocular verses, I have noticed a strange effect that keeps you reading: each time you read one limerick, you just cannot help reading the next, especially when they are nicely set out on a page. I am particularly proud of my lim-sagas, of which only two are contained in this book, but I consider them the best of my collection.”