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Quote by J.A. Redmerski

Work

Kindred

The story follows a modern African-American woman who is inexplicably transported back to the antebellum South, where she must navigate the complexities of slavery and racial relations while attempting to save her ancestor. more

Author

J.A. Redmerski
J.A. Redmerski

J.A. Redmerski is a contemporary novelist born on November 25, 1975. His works are highly acclaimed by readers and critics for their unique narrative style and profound insights into human nature. more

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“He knew clearly enough that his imagination was growing traitor to him, and yet at times it seemed the ship he sailed in, his fellow-passengers, the sailors, the wide sea, were all part of a filmy phantasmagoria that hung, scarcely veiling it, between him and a horrible real world. Then the Porroh man, thrusting his diabolical face through that curtain, was the one real and undeniable thing. At that he would get up and touch things, taste something, gnaw something, burn his hand with a match, or run a needle into himself. ("Pollock And The Porrah Man")”

ImaginationSuperstitionFolk MagicWitch Doctor
Book:Great Tales of Horror and the Supernatural
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“It's my opinion he don't want to kill you,' said Perea - 'at least not yet. I've heard deir idea is to scar and worry a man wid deir spells, and narrow misses, and rheumatic pains, and bad dreams, and all dat, until he's sick of life. Of course, it's all talk, you know. You mustn't worry about it. But I wunder what he'll be up to next.' 'I shall have to be up to something first,' said Pollock, staring gloomily at the greasy cards that Perea was putting on the table. 'It don't suit my dignity to be followed about, and shot at, and blighted in this way. I wonder if Porroh hokey-pokey upsets your luck at cards.' He looked at Perea suspiciously. 'Very likely it does,' said Perea warmly, shuffling. 'Dey are wonderful people.' ("Pollock And The Porrah Man")”

CardsGamblingSuperstitionFolk MagicWitch Doctor
Book:Great Tales of Horror and the Supernatural
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“Joseph Smith was not concerned about how divination and money digging would impact his social, political, and religious reputation. His teenage years were not formed in an environment where magic was the primary influence upon him or others...but at the same time, it was not uncommon for people to take interest in the supernatural. Other religious leaders who were at one time interested in the folklore of magic generally did not have to justify their curiosity.... ...[R]esearch has shown that between 1810 and 1840 there was an apparent increase in the use of both seer stones and divining rods to find buried treasure in the American northwest frontier. Searching for buried treasure was usually done with a divining rod, in a similar fashion similar to searching for subterranean water but in this case involving the use of seer stones. ... The supernatural element was important to money digging, and modern historians studying the use of seer stones in the Book of Mormon translation process often look at Joseph's money-digging days for answers or clues to understand the translation process better. The decision to make this comparison, though, is structured around a division: the idea that money digging was a nonreligious endeavor, while the translation of the Book of Mormon was decidedly religious in nature. However, these are labels imposed by the modern perspective, and they ignore that both treasure seeking and translating were likely perceived by Joseph's early converts as supernatural events. Early believers did not necessarily struggle with the fusion of Joseph the treasure seeker and Joseph the translator, even if future Church members would.”

ReligionSupernaturalLdsMormonDivinationFolk MagicSeer Stone
Author:Michael Hubbard MacKay
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“The uniqueness of Iago, like the uniqueness of modern war, does not lie in the spirit of destruction. That has always been common enough. It lies in the genius he dedicates to destructive ends. Modern war would not recognize itself in the portraits of Shakespeare’s classical and feudal fighters, in Hector and Hotspur, in Faulconbridge and Coriolanus, or in Othello himself. But let it look in the glass and it will behold Iago. In him Shakespeare reveals , with clarity of nightmare, the unrestrained intellect, instead of being opposite of force, and an antidote for it, as much of the modern world thinks, is force functioning on a nother plane. It is the immoral equivalent of war, and as certain to clead to it in due seasons as Iago’s machinations were to lead to death. “All other knowledge is hurtful,” says Montaigne, “to him who has not the science of honesty and goodness.”

ShakespeareModern WarfareIago
Author:Harold C. Goddard
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