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Quote by Sarah L. Frantz

“Sometimes when my dad thanks me for caring for him it's in a tone of goodbye — these are the times my heart lurches in my chest.”

Quote by Sarah L. Frantz

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Sarah L. Frantz

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“In his book The Captive Mind, written in 1951-2 and published in the West in 1953, the Polish poet and essayist Czeslaw Milosz paid Orwell one of the greatest compliments that one writer has ever bestowed upon another. Milosz had seen the Stalinisation of Eastern Europe from the inside, as a cultural official. He wrote, of his fellow-sufferers: A few have become acquainted with Orwell’s 1984; because it is both difficult to obtain and dangerous to possess, it is known only to certain members of the Inner Party. Orwell fascinates them through his insight into details they know well, and through his use of Swiftian satire. Such a form of writing is forbidden by the New Faith because allegory, by nature manifold in meaning, would trespass beyond the prescriptions of socialist realism and the demands of the censor. Even those who know Orwell only by hearsay are amazed that a writer who never lived in Russia should have so keen a perception into its life. Only one or two years after Orwell’s death, in other words, his book about a secret book circulated only within the Inner Party was itself a secret book circulated only within the Inner Party.”

RussiaCommunismCensorshipTotalitarianismGeorge OrwellNineteen Eighty FourCzeslaw Milosz
Author:Christopher Hitchens
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“A few have become acquainted with Orwell’s 1984; because it is both difficult to obtain and dangerous to possess, it is known only to certain members of the Inner Party. Orwell fascinates them through his insight into details they know well, and through his use of Swiftian satire. Such a form of writing is forbidden by the New Faith because allegory, by nature manifold in meaning, would trespass beyond the prescriptions of socialist realism and the demands of the censor. Even those who know Orwell only by hearsay are amazed that a writer who never lived in Russia should have so keen a perception into its life.”

RussiaSocialismCommunismCensorshipTotalitarianismGeorge OrwellNineteen Eighty Four
Author:Czesław Miłosz
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“Isaac Deutscher was best known—like his compatriot Joseph Conrad—for learning English at a late age and becoming a prose master in it. But, when he writes above, about the ‘fact’ that millions of people ‘may’ conclude something, he commits a solecism in any language. Like many other critics, he judges Orwell’s Nineteen Eighty-Four not as a novel or even as a polemic, but by the possibility that it may depress people. This has been the standard by which priests and censors have adjudged books to be lacking in that essential ‘uplift’ which makes them wholesome enough for mass consumption. The pretentious title of Deutscher’s essay only helps to reinforce the impression of something surreptitious being attempted.”

CensorshipLiterary CriticismGeorge OrwellNineteen Eighty FourIsaac Deutscher
Author:Christopher Hitchens
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“It doesn’t take a literary detective, scanning the passage above, to notice that he is partly saying of Orwell what Orwell actually says about Gissing. This half-buried resentment can be further noticed when Williams turns to paradox. I have already insisted that Orwell contains opposites and even contradictions, but where is the paradox in a ‘humane man who communicated an extreme of inhuman terror’? Where is the paradox in ‘a man committed to decency who actualized a distinctive squalor’? The choice of verbs is downright odd, if not a little shady. ‘Communicated’? ‘Actualised’? Assuming that Williams means to refer to Nineteen Eighty-Four in the first case, which he certainly does, would it not be more precise to say that Orwell ‘evoked’ or even ‘prefigured’ or perhaps simply ‘described’ an extreme of inhuman terror? Yet that choice of verb, because more accurate, would be less ‘paradoxical.’ Because what Williams means to imply, but is not brave enough to say, is that Orwell ‘invented’ the picture of totalitarian collectivism. As for ‘actualising’ a distinctive squalor, the author of that useful book Keywords has here chosen a deliberately inexact term. He may mean Nineteen Eighty-Four again—he is obsessed with the ‘gritty dust’ that infests Orwell’s opening passage—or he may mean the depictions of the mean and cramped (and malodorous) existence imposed on the denizens of Wigan Pier. But to ‘actualise’ such squalor is either to make it real—no contradiction to decency—or to make it actually occur, a suggestion which is obviously nonsensical.”

PoliticsLiterary CriticismGeorge OrwellNineteen Eighty FourRaymond WilliamsNineteen Eighty Fournism
Author:Christopher Hitchens
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“Little in his brief life was lost on him; there are premonitions of Nineteen Eighty-Four even in his memoir of schooldays ‘Such, Such Were the Joys’. Experiences in the colonies and the BBC can be seen to have furnished raw materials; so indeed can his reading of Evgeny Zamyatin’s We and other dystopian literature from the early days of Stalinism. But the transcendent or crystallising moment undoubtedly occurred in Spain, or at any rate in Catalonia. This was where Orwell suffered the premonitory pangs of a man living under a police regime: a police regime ruling in the name of socialism and the people. For a Westerner, at least, this epiphany was a relatively novel thing; it brushed the sleeves of many thoughtful and humane people, who barely allowed it to interrupt their preoccupation with the ‘main enemy’, fascism. But on Orwell it made a permanent impression.”

George OrwellNineteen Eighty Four
Author:Christopher Hitchens
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