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Quote by Salman Rushdie

“[...] life had once again, perversely, refused to remain life-sized. It had turned melodramatic: and that embarrassed him.”

Quote by Salman Rushdie

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Salman Rushdie
Salman Rushdie

Salman Rushdie (born June 19, 1947) is a British-Indian novelist and essayist. Known for his magical realism style, his novel Midnight's Children won the Booker Prize in 1981. His works often explore themes of cultural conflict, religion, and politics. In 1988, his novel The Satanic Verses sparked global controversy, leading to a fatwa issued by Iran's Ayatollah Khomeini calling for his assassination. Rushdie spent years in hiding under police protection. He remains a prominent voice in contemporary English literature, celebrated for his literary innovation and defense of free expression. more

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“You have said that if I declared my innocence you would believe me,” she exclaimed, lifting her head as I entered. “See here,” and laying her cheek against the pallid brow of her dead benefactor, she kissed the clay-cold lips softly, wildly, agonisedly, then, leaping to her feet, cried, in a subdued but thrilling tone: “Could I do that if I were guilty? Would not the breath freeze on my lips, the blood congeal in my veins, and my heart faint at this contact?”

MelodramaOh The Drama
Book:The Leavenworth Case
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“1948: The Best Years of Our Lives. The characters in the film have retained a candour towards - and naive faith in - their feelings which we no longer possess. Our feelings, which we delightfully term emotions in order to salvage the fiction of an emotional life, are not affects any more, merely a psychological affectation, having lost all credence in our eyes. Or, alternatively, they are conversion emotions, betraying the melodrama going on in the body rather than the nuances of the soul. We do not even have this candour in our relations to our dreams, where we grapple with their interpretation, their splitting, their ironic reflexes. But the worst thing is that not just life, but cinema too, seems to have lost all simplicity since that period. But the worst thing is that not just life, but cinema too, seems to have lost all simplicity since that period. It knows only how to parody itself affectedly, and has veered towards psychodrama or visual melodrama. Retrospectively, these were then, also, the 'Best Years' of cinema.”

CinemaMelodramaPsychodrama
Book:Fragments
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