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Quote by H.M. Forester

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Quote by H.M. Forester

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The Imaginal Veil

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H.M. Forester

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“Kritisk teori forstår seg selv som et bindeledd mellom teori og praksis. En verdsliggjøring av filosofien - rettere sagt en praksisfilosofi, praxis, hvor samfunnskritikk skal føre frem til frigjørende politisk handling.”

“New eyes awaken. I send Love's name into the world with wings And songs grow up around me like a jungle. Choirs of all creatures sing the tunes Your Spirit played in Eden. Zebras and antelopes and birds of paradise Shine on the face of the abyss And I am drunk with the great wilderness Of the sixth day in Genesis. But sound is never half so fair As when that music turns to air And the universe dies of excellence. Sun, moon and stars Fall from their heavenly towers. Joys walk no longer down the blue world's shore. Though fires loiter, lights still fly on the air of the gulf, All fear another wind, another thunder: Then one more voice Snuffs all their flares in one gust. And I go forth with no more wine and no more stars And no more buds and no more Eden And no more animals and no more sea: While God sings by himself in acres of night And walls fall down, that guarded Paradise.”

“O Love, divine Love, why do You lay siege to me? In a frenzy of love for me, You find no rest. From five sides You move against me, Hearing, sight, taste, touch, and scent. To come out is to be caught; I cannot hide from You. If I come out through sight I see Love Painted in every form and color, Inviting me to come to You, to dwell in You. If I leave through the door of hearing, What I hear points only to You, Lord; I cannot escape Love through this gage. If I come out through taste, every flavor proclaims: "Love, divine Love, hungering Love! You have caught me on Your hook, for you want to reign in me." If I leave through the door of scent I sense You in all creation; You have caught me And wounded me through that fragrance. If I come out through the sense of touch I find Your lineaments in every creature; To try to flee from You is madness. Love, I flee from You, afraid to give You my heart: I see that You make me one with You, I cease to be me and can no longer find myself. If I see evil in a man or defect or temptation, You fuse me with him, and make me suffer; O Love without limits, who is it You love? It is You, O Crucified Christ, Who take possession of me, Drawing me out of the sea to the shore; There I suffer to see Your wounded heart. Why did You endure the pain? So that I might be healed.”

“The Father's love does not force itself on the beloved. Although he wants to heal us of all our inner darkness, we are still free to mate our own choice to stay in the darkness or to step into the light of God's love. God is there. God's light is there. God's forgiveness there. God's boundless love is there. What is so clear is that God is always there, always ready to give and forgive, absolutely independent of our response. God's love does not depend on our repentance or our inner or outer changes.”

“As long as we practice with a vow to help others, we are the Bodhisattva of Great Compassion, and we become the leading figure in the Heart Sutra, whether we are a layperson or are ordained, whether celibate or married, living in the monastery or living in secular society.”

“As long as we practice with a vow to help others, we are the Bodhisattva of Great Compassion, and we become the leading figure in the Heart Sutra, whether we are a layperson or are ordained, whether whether celibate or married, living in the monastery or living in secular society.”

“The final disappearing act of the great magician, the great medicine itself, is that a correct view of emptiness prevents even emptiness from being the final source of clinging. The point is that we have nothing to hold on to – not the world of forms and differentiation, not the formless realm of oneness, and not even the dissolving method of emptiness. „Gone, gone, gone beyond, gone utterly beyond, hail awakening“ as the Heart Sutra pronounces. (p. 204)”

“...Naakal öğretisine göre Tanrı, sevginin ta kendisidir ve tüm evreni de sevgi üzerine kurulmuştur....Naakal inancının bir diğer temel dayanağı, tanrısal nurdan çıkmış olan dört temel gücün kainatı kaostan düzene geçirmiş oldukları teorisiydi. ... Bu dört temel güç,"dört büyük inşaatçı, mimar, geometri üstadı olarak adlandırılır. Bu dört temel elaman ateş, yel, su ve topraktır. Naakallar bu dört temel gücü gamalı haç ile sembolize etmişlerdir. Sayfa:67”