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His Captive Bride

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Shelly Thacker

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“Di gran furore si pregna il suo scheletro, bagliori saettano, uscendo e rientrando da essa come rincorsi durante una fuga. Sembra un dio del cielo, pieno di boria, quando ai mortali si appresta a elargire doni che celano invero soltanto inganni. Alza l’avambraccio, contrae il bicipite, rilucono nei sui occhi di ghiaccio le luci ornate dai lapislazzuli. Secco il rilascio. Un potente boato squassa l’intero suolo.”

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Book:Il Portatore di Corni
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“Back when I was a regular mortal kid, I didn’t know much about combat. I had some murky ideas that armies would line up, blow trumpets, and then march forward to kill one another in an orderly fashion. If I thought about Viking combat at all, I would envision some dude yelling SHIELD WALL! and a bunch of hairy blond guys calmly forming ranks and merging their shields into some cool geometric pattern like a polyhedron or a Power Ranger Megazord. Actual battle was nothing like that. At least, not any version I’d ever been in. It was more like a cross between interpretive dance, lucha libre wrestling, and a daytime talk show fight.”

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Book:The Ship of the Dead
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“In addition to legal assemblies such as the one at Thingvellir, major public rituals were part of the celebration of the three big festivals around which the Viking calendar turned. One of these was Winter Nights, which was held over several days during our month of October, which the Vikings considered to be the beginning of winter and of the new year generally. The boundary between the realm of the living and the realm of the dead was thin, and all sorts of uncanny things were bound to happen. At this festival, the divine powers were petitioned for the general prosperity of the people. The second critical festival was Yule at midwinter - late December and early January - Which, with the arrival of Christianity, was converted into Christmas. Offerings were made to the gods in hopes of being granted bountiful harvests in the coming growing season in return. The third major festival was called "Summer Time" (Sumarmál), and was held in April, which the Vikings considered to be the beginning of summer. When the deities were contacted during this festival, they were asked for success in the coming season's battles, raids, and trading expeditions. The exact time of these festivals differed between communities.”

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Book:The Viking Spirit: An Introduction to Norse Mythology and Religion
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“It was highly fatalistic, but its fatalism was not one of complacency. It saw life as being ultimately doomed to tragedy, but with the opportunity for grand and noble heroism along the way. The Vikings sought to seize that opportunity, to accomplish as much as they could - and be remembered for it - despite the certainty of the grave and "the wolf." How one met one's fate, whatever that fate happened to be, was what separated honorable and worthy people from the dishonorable and the unworthy. Norse religion and mythology were thoroughly infused with this view. The gods, the "pillars" who held the cosmos together, fought for themselves and their world tirelessly and unflinchingly, even though they knew that in the end the struggle was hopeless, and that the forces Of chaos and entropy would prevail. They went out not with a whimper, but with a bang. This attitude is what made the Vikings the Vikings.”

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Book:The Viking Spirit: An Introduction to Norse Mythology and Religion
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