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Quote by Rosanna Chiofalo

“She scanned the masks, and her eyes were immediately drawn to one in a deep shade of purple with shimmering royal-blue sequins and feathers in the same colors. Faux sapphires and amethysts dangled from its sides. "May I have this mask, please?" The man handed it to Rosalia. "You chose the perfect color to complement your beautiful dark hair, signorina." "Grazie." She blushed slightly at his compliment.”

Quote by Rosanna Chiofalo

Book:Rosalia's Bittersweet Pastry Shop
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Rosalia's Bittersweet Pastry Shop

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Rosanna Chiofalo

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“At the entrance of one of the Hypogeum's painted rooms, the faint engraved impression of a large human hand, also arbitrarily assigned to the Neolithic, may still be seen. It 'has parallels in similar designs in Palaeolithic sites at Gargas, El Castillo, and particularly with Montespan in the Franco-Cantabrian region.' The impression shows a hand with six fingers [a condition known as Polydactyly that is also seen on at least one of the 'Fat Lady' figures on show in the National Museum of Archaeology].”

ArchaeologyDeep Human HistoryIce Age CivilizationsNeolithicPalaeolithic
Book:Underworld: The Mysterious Origins of Civilization
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“Soon after the news broke about these published conclusions [regarding the evidence of a Palaeolithic human presence on Malta] and their stark contradiction of the orthodox view on Malta's prehistory, the Italian team distanced itself from its initial Palaeolithic leanings and claimed instead that the depictions in Ghar Hasan are 'out of context' -- which indeed they are if one is only prepared to countenance a Neolithic context for the earliest human presence in Malta. Another development at about the same time was that the Ghar Hasan cave began to be vandalized, and the paintings defaced or completely removed, a process that continued over a long period. The result, which would have caused an international furore anywhere else but Malta, is that today: 'The only depictions which have survived, unless more are obscured by stalagmitic material on the cavern walls, are the two handprints in red pigment in Gallery D ... Vandalism not of the popular type has destroyed and obscured the entire repertoire of images on the accessible areas.”

AuthorityEstablishmentAcademiaArchaeologyVandalismNeolithicPalaeolithic
Book:Underworld: The Mysterious Origins of Civilization
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“Mifsud notes that J. D. Evans had graduated from Cambridge in 1949 and that in the early 1950s he was 'in desperate need of a PhD'. The thesis that the future Professor of Prehistoric Archaeology at the University of London chose to develop, influenced by the Italian archaeologist Barnarbo Brea, was that the very first human inhabitants of the previously unpeopled Malta had been immigrants from the Neolithic Stentinello culture of Sicily -- a theory that is still part of the conventional academic wisdom about Malta today. In pursuing this thesis, Mifsud suggests, it was not convenient to the young Evans to have to deal with the evidence of the Ghar Dalam teeth that suggested a prior, Palaeolithic, human presence in Malta. This, then, either as a conscious or unconscious motive, could explain why Evans was so vehement in his attacks on the antiquity of the taurodonts [that could belong to Neanderthals] and so economical with the truth in his published statements about them. He wanted them out of the way -- permanently -- of his own theory about Malta's first inhabitants.”

AuthorityEstablishmentAcademiaNeanderthalsNeolithicPalaeolithic
Book:Underworld: The Mysterious Origins of Civilization
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“…a short seven miles away is the Neolithic village called Skara Brae. There is preserved a huddle of roofless huts, dug half underground into midden and sand dune. There, you can marvel at the domestic normality, that late Stone Age people had beds and cupboards and neighbours and beads. You can feel both their presence, their day-to-day lives, and their utter absence. It’s a good place to go. It re-calibrates your sense of time.”

NatureHistoryAdventureTravelRuinsNeolithicScolandSkara Brae
Book:Findings
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