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Misery

Misery is a novel that delves into the dark side of obsession and the psychological impact of trauma. The story follows Paul Sheldon, a famous author, who is involved in a car accident and is rescued by Annie Wilkes, a fan who takes extreme measures to ensure his survival. As Paul recovers, Annie reveals her twisted obsession with his work and her desire to control his life. The novel examines themes of manipulation, dependency, and the consequences of fame. more

Author

Stephen King
Stephen King

Stephen King, born on September 21, 1947, is a renowned American author. His works primarily focus on horror, fantasy, and science fiction, and have won him a wide audience. King has received numerous literary awards in the United States, including the Edgar Allan Poe Award and the World Fantasy Award. more

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“The Uruguayan kid was well-spoken and intelligent; he was a 21-year-old Rasta kid from Montevideo. His name was Cristobal. He seemed really interested in the products and wanted to find a job, saying that if he did not find one soon he would have to leave his girlfriend behind in Barcelona and go back to Uruguay. He had a gorgeous Spanish girlfriend; he showed me a picture, I had met her once. She was so hot, I did not even know how he had gotten close to her. So, I thought the kid had the right motives and the necessary motivation to do this job. His situation was not really that different from mine. He was kind and soft-spoken; he had innocent eyes. You could tell by his voice that he was a good person and would not do anything wrong, not even if he was forced to. I was sure he was not a Silvio-like Spaniard thief who would dare go wild stealing orders and collecting full money for half-delivered products. Silvio might even have involved the store owners, the alleged clients, in the scam to squeeze more products out of poor fool Adam, „The Goof-Proof.”

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“Now she was trying to act that she was mad at her because I got hurt but I could see that she didn’t even put effort in acting or asking around or about what happened or where does it hurt. Which again just kept giving her away more and more minute after minute, I could see Adam laughing behind Martina’s stupidity with Sabrina and I really wanted to finally wake her up to reality from their nightmarish spell. Now she wanted another shot of cognac. She held the empty glass, asking for more without saying a word. Again, very telling. She knew now if she spoke a word she would give herself away even more. Why was she so mad at Sabrina in fact? I grabbed the bottle from the freezer, poured her another shot, and she gulped it down. I left the frosty bottle of cognac on the table and she was playing with the frost with one hand while she held her other hand up in the air. She was fixated with her eyes, her head leaned over the table; she was just staring at the frost on the bottle that she was scratching off with her nails, gazing at it with Evil Eyes. It was as if she were truly possessed. And. She was.”

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“He almost broke the window of the front door coming in about two minutes later, as if he was running from Gran Via and the Urgell corner. Sweating, soaked, with two bags; a luggage in his hand and a bigger side bag across his chest. As he threw his luggage to the ground and jumped up the stairs, trying to run up to me, he slipped on the dangerous, tiled, and sharp steps, falling and rolling back into the corner in a state of misery. He tried to get up again, but he fell back down to the bottom of the stairs. The side bag's strap slipped off his shoulder and jammed his legs as he jumped up again and tried to run up to me once more. In his desperation, he fell back down to the bottom of the stairs when his foot got caught in the side bag again, until he finally removed it screaming like a jackal and tried again for the fourth time. I was just standing at the top of the stairs, trying to contain my amazement and amusement at the same time, wondering what was wrong with this bizarre, crazy-crazy guy. It was like another Benny Hill episode, or a Mr Bean scene. But he sure did get hurt too. It was amazing. Finally he managed to scramble and run up the stairs, madly yelling at me. The wireless office phone was in my hand and we had just spoken a minute ago or two. He must have been heading towards Gran Via towards the airport, which I highly doubted as he was hiding in Europe; he was probably going to a bus station around Plaza Espanya. I doubt he was taking the train in Spain, trying to hide in Europe. Once he managed to get up and as I stood there in disbelief, almost laughing at him, with my hands in the air as if I didn’t know what was going on, he ripped the office phone from my hand and threw it to the ground, breaking it into many pieces upstairs.”

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Book:BARCELONA MARIJUANA MAFIA
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“Ziggy is in front of the tube, as if nothing much has been happening in his day, watching Scooby Goes Latin! (1990). Maxine after a quick visit to the bathroom to reformat, knowing better than to start in with the Q&A, comes in and sits down next to him about the time it breaks for a commercial. “Hi, Mom.” She wants to enfold him forever. Instead she lets him recap the plot for her. Shaggy, somehow allowed to drive the van, has become confused and made some navigational errors, landing the adventurous quintet eventually in Medellín, Colombia, home at the time to a notorious cocaine cartel, where they stumble onto a scheme by a rogue DEA agent to gain control of the cartel by pretending to be the ghost—what else—of an assassinated drug kingpin. With the help of a pack of local street urchins, however, Scooby and his pals foil the plan. The cartoon comes back on, the villain is brought to justice. “And I would have got away with it, too, he complains, “if it hadn’t been for those Medellín kids!”

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“I'd planned to kill the almost-hour fingering some phone apps whose offbeat missions and designy logos had put the make on my contracted pupils. Still, as coke can't seem to help but use its hopheads to accomplish, I found a quiet study of these apps beyond me, and soon enough my antsy friends and I were in a huddle, having misconstrued our need to chatter as the impetus for lectures and confused one another for captivated listeners at whom we could not spew enough.”

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“In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!”

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