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Quote by Roy T. Bennett

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The Light in the Heart

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Roy T. Bennett
Roy T. Bennett

Roy T. Bennett is a renowned author known for his profound philosophical thoughts and inspirational works. His writings span across various domains such as life philosophy, self-improvement, and spiritual growth, and have resonated with a wide audience. more

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“Honouring the youth of their town they provided a décor that a £20-a-Martini fleecing parlour could not have amortized. They had bought eighty low Alvar Aalto stools for the alcove and coctail bar seating. Also, twenty tall numbers in the same bent bleach wood classic style. Extremely expensive and brought in from Finland at equally great expense. And in the first twelve months, ninety percent had disappeared. Compared to the catastrophic damage done every other week to one of the toilets just off the main dance floor --the level of masonry demolition going deep into the floor implied the use of a full-sized pneumatic drill-- the loss of a bunch of stools was incidental. The fact that thirty-two then turned up in New Order's rehearsal room was therefore coincidental. If you couldn't join in the public in stealing from your own club, what was the point of opening it?”

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“I glanced over and saw Wyatt glaring at me. Journey’s “Lovin’ Touchin’, Squeezin’” was playing on the radio. “What?” I asked. “You secretly hate me, don’t you.” He gestured toward the radio. “You can’t stand the thought of me taking a much needed nap and leaving you to drive without conversation. You’re torturing me with this sappy stuff.” “It’s Journey. I love this song.” Wyatt mumbled something under his breath, picked up the CD case, and started looking through it. He paused with a choked noise, his eyes growing huge. “You’re joking, Sam. Justin Bieber? What are you, a twelve-year old girl?” There’s gonna be one less lonely girl, I sang in my head. That was a great song. How could he not like that song? Still, I squirmed a bit in embarrassment. “A twelve-year old girl gave me that CD,” I lied. “For my birthday.” Wyatt snorted. “It’s a good thing you’re a terrible liar. Otherwise, I’d be horrified at the thought that a demon has been hanging out with a bunch of giggling pre-teens.” He continued to thumb through the CDs. “Air Supply Greatest Hits? No, no, I’m wrong here. It’s an Air Supply cover band in Spanish.” He waved the offending CD in my face. “Sam, what on earth are you thinking? How did you even get this thing?” “Some tenant left it behind,” I told him. “We evicted him, and there were all these CDs. Most were in Spanish, but I’ve got a Barry Manilow in there, too. That one’s in English.” Wyatt looked at me a moment, and with the fastest movement I’ve ever seen, rolled down the window and tossed the case of CDs out onto the highway. It barely hit the road before a semi plowed over it. I was pissed. “You asshole. I liked those CDs. I don’t come over to your house and trash your video games, or drive over your controllers. If you think that will make me listen to that Dubstep crap for the next two hours, then you better fucking think again.” “I’m sorry Sam, but it’s past time for a musical intervention here. You can’t keep listening to this stuff. It wasn’t even remotely good when it was popular, and it certainly hasn’t gained anything over time. You need to pull yourself together and try to expand your musical interests a bit. You’re on a downward spiral, and if you keep this up, you’ll find yourself friendless, living in a box in a back alley, stinking of your own excrement, and covered in track marks.” I looked at him in surprise. I had no idea Air Supply led to lack of bowel control and hard core drug usage. I wondered if it was something subliminal, a kind of compulsion programmed into the lyrics. Was Russell Hitchcock a sorcerer? He didn’t look that menacing to me, but sorcerers were pretty sneaky. Even so, I was sure Justin Bieber was okay. As soon as we hit a rest stop, I was ordering a replacement from my iPhone.”

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“There isn't a better feeling in the world—not an orgasm, not a first kiss, not even that glorious soaring sensation you get when those first few notes of a new song pierce your chest and fill your whole body with absolute bliss—than acknowledgment that your mix tape was not only received and played but enjoyed. It's a dance of sorts, balancing songs you think the listener will love while trying to say everything that otherwise dries up in your throat before you can get out the words.”

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