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Quote by Alexandra Katehakis

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Mirror of Intimacy: Daily Reflections on Emotional and Erotic Intelligence

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Alexandra Katehakis

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“A storm of fruity sweetness! A concerto of seafood and herbs! And a fragrant duet of thick lamb mousse and creamed root vegetables! All three glasses present their own colorful tableau that unfolds across your tongue! "Though each glass maintains a clear and unique flavor profile... ... from creamed raw sea urchin to smoked scallop mousse- the perfect accenting layer is always slipped into the perfect place. It's like a gorgeous richly colored show of mousses is dancing in my mouth!”

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Book:食戟のソーマ 34 [Shokugeki no Souma 34]
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“When a song is ended, it leaves nothing but a feeling in those who heard it until that feeling, slowly moving backwards in time, collapses under pressure from more recent feelings and is replaced. Events become memories, unreliable stories, fade away at the ends. Unconnected and distinct from the day's experience, they become one of the millions of strata that make us who we are. We are the sum of all our experiences. We are waves on the ocean, interacting with and affected by all the other waves that move and die and are washed up on the shore. We are each a breath, a song, a flower. We are time itself, and mine has been long and I've collected many disconnected layers.”

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Book:Seed to Dust: A Gardener's Story
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“So a life builds up in layers, piecemeal, a kind of haphazard engineering that has elements of skill and cunning - the previous layers mostly hidden, as are the smaller mounds within, the clumps of different-coloured earth, the burnt offerings, the nodules of pain and the delight. The hard graft of the chopped-off antlers, picking and stabbing and scraping. The embers of old fires, old flames, in mute fragments of charcoal.”

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Book:On Silbury Hill
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“She had heard of the genetic code that could shape an eye or hand from passing proteins. Deoxyribonucleic acid. It contained the entire set of instructions for constructing a respiratory system and a digestive one, as well as the grip of an infant's hand. Chess was like that. The geometry of a position could be read and reread and not exhausted of possibility. You saw deeply into the layer of it, but there was another layer beyond that, and another, and another.”

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Book:The Queen's Gambit
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