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Quote by Carol Storm

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Burning Innocence

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Carol Storm

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“Over time, it is all too common for people to lose touch with their heritage, as the thrill and immediacy of the present crowds out the echoes and lessons of the past. It would be a shame if that were to happen with respect to the fur trade. It is a seminal part of who we are as a nation, and how we came to be.”

WestAmerican HistoryFurBuffaloBeaverFur TradeAstorFursTrapper
Book:Fur, Fortune, and Empire: The Epic History of the Fur Trade in America
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“Nothing is easier than to be original thanks to a false absolute, all the more so when this absolute is negative, for to destroy is easier than to construct. Humanism is the reign of horizontality, either naive or perfidious; and since it is also — and by that very fact — the negation of the Absolute, it is a door open to a multitude of sham absolutes, which in addition are often negative, subversive, and destructive. It is not too difficult to be original with such intentions and such means; all one needs is a little imagination. It should be noted that subversion includes not only philosophical and moral schemes designed to undermine the normal order of things, but also — in literature and on a seemingly harmless plane — all that can satisfy an unhealthy curiosity: namely all the narrations that are fantastic, grotesque, lugubrious, "dark," thus satanic in their way, and well-fitted to predispose men to all excesses and all perversions; this is the sinister side of romanticism. Without fearing in the least to be "childlike" or caring in the least to be "adult," we readily dispense with these somber lunacies, and are fully satisfied with Snow White and Sleeping Beauty.”

Snow WhiteSleeping Beauty
Book:To Have a Center
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“It's her. The woman from the photo." The plate was foxed around the edges, but the painting at its center was still intact. The annotation beneath gave the title as Sleeping Beauty and the artist's name, Edward Radcliffe. The woman in the painting was lying in a fantastical treetop bower of leaves and flower buds, all of which were waiting in stasis for the chance to bloom. Birds and insects were interspersed amongst the woven branches; long red hair flowed in waves around her sleeping face, which was glorious in repose. Her eyes were closed, but the features of her face- the elegant cheekbones and bow lips- were unmistakable. "She was his model," Elodie whispered.”

PaintingSleeping BeautyModelRedheadMystery Woman
Book:The Clockmaker's Daughter
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