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Love in the Time of Cholera

Gabriel Arcadio Márquez's classic novel weaves a tale of passion, loyalty, and the passage of time. The story follows the tumultuous relationship between Fermina Daza and Florentino Ariza, spanning over half a century and several love affairs. Set against the backdrop of the Cholera epidemic in Latin America during the 19th century, the novel delves into themes of love, loss, and the human condition. more

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Gabriel García Márquez

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“[A]ll over the empire, Romans are frustratingly unwilling to play their role as bloodthirsty martyr-makers. Many even refuse to execute Christians when they arrive in front of them. Arrius Antoninus was a Roman governor of Asia who in the late second century had executed a number of Christians in his province. He was perhaps unprepared for what came next. Instead of fleeing, local Christians suddenly turned up and, in one large mob, presented themselves before him. Antoninus did indeed dutifully kill a few (presumably there is only so much temptation a Roman can stand) but rather than dispatching the rest with pleasure, he turned to them with what, even with the passage of almost two millennia, sounds unmistakably like exasperation. ‘Oh you ghastly people,’ he said. ‘If you want to die you have cliffs you can jump off and nooses to hang yourself with.”

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Book:The Darkening Age: The Christian Destruction of the Classical World
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“I didn't create the system- I was born into it," I say at last. It feels like a fair thing to say. His face seems to be at war. A flash of anger, a sharp narrowing of his gaze, then a slight pull of his eyebrows- exasperation maybe, but smoothed away to make room for a clenched jaw. "Please stop talking before I do something I regret. Por favor." "What did I say that was so terrible?" My hands fly to my hips. "If you don't explain it to me, how am i supposed to know-" "I'm a little tired of explaining myself," Rumi says flatly. "Have been for years. And you all never listen. Do your own reading on the subject, why don't you? And then come back and we'll discuss whatever you like.”

PrivilegeOppressionExasperationSystems Of OppressionUse Google
Book:Woven in Moonlight
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“What in the three worlds are you doing?” I took stock of the mess of torn pages scattered around me like the fanned-out train of a dress. “Making paper animals. I’m taking requests for the next ten minutes only.” “A spider.” “How about a horse?” “A caterpillar.” “Can I tempt you with a horse?” He stared at me, unimpressed. “A stag.” “I’m sorry, did you say horse?” He pressed a finger between his brows, pushing upward as he sighed. “A fucking horse, then.” I flung the mangled paper I had been holding at him. “Enjoy”

HorseStubbornRequestLolExasperationSpiderCaterpillarStagPaper Animals
Book:A Dream of Embers
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“Many people, after spending a long weekend being stealthily seduced by this grand dame of the South, mistakenly think that they have gotten to know her: they believe (in error) that after a long stroll amongst the rustling palmettoes and gas lamps, a couple of sumptuous meals, and a tour or two, that they have discovered everything there is to know about this seemingly genteel, elegant city. But like any great seductress, Charleston presents a careful veneer of half-truths and outright fabrications, and it lets you, the intended conquest, fill in many of the blanks. Seduction, after all, is not true love, nor is it a gentle act. She whispers stories spun from sugar about pirates and patriots and rebels, about plantations and traditions and manners and yes, even ghosts; but the entire time she is guarded about the real story. Few tourists ever hear the truth, because at the dark heart of Charleston is a winding tale of violence, tragedy and, most of all, sin.”

GhostParanormalSouthernGhostsHauntedSouth CarolinaCharlestonSouthern Writers
Book:Charleston's Ghosts: Hauntings in the Holy City
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