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Pat Conroy

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“Great teachers had great personalities and that the greatest teachers had outrageous personalities. I did not like decorum or rectitude in a classroom; I preferred a highly oxygenated atmosphere, a climate of intemperance, rhetoric, and feverish melodrama. And I wanted my teachers to make me smart. A great teacher is my adversary, my conqueror, commissioned to chastise me. He leaves me tame and grateful for the new language he has purloined from other kings whose granaries are filled and whose libraries are famous. He tells me that teaching is the art of theft: of knowing what to steal and from whom. Bad teachers do not touch me; the great ones never leave me. They ride with me during all my days, and I pass on to others what they have imparted to me. I exchange their handy gifts with strangers on trains, and I pretend the gifts are mine. I steal from the great teachers. And the truly wonderful thing about them is they would applaud my theft, laugh at the thought of it, realizing they had taught me their larcenous skills well.”

“Loss invites reflection and reformulating and a change of strategies. Loss hurts and bleeds and aches. Loss is always ready to call out your name in the night. Loss follows you home and taunts you at the breakfast table, follows you to work in the morning. You have to make accommodations and broker deals to soften the rabbit punches that loss brings to your daily life. You have to take the word "loser" and add it to your resume and walk around with it on your name tag as it hand-feeds you your own shit in dosages too large for even great beasts to swallow. The word "loser" follows you, bird-dogs you, sniffs you out of whatever fields you hide in because you have to face things clearly and you cannot turn away from what is true.”

“There was a time when a new deputy tried to teach Mr. Fruit about the difference between a red and a green light, but Mr. Fruit had resisted all efforts to reorder what he had been doing perfectly well for many years. He had not only monitored the comings and goings of the town, his presence softened the ingrained evil that flourished along the invisible margins of the town’s consciousness. Any community can be judged in its humanity or corruption by how it manages to accommodate the Mr. Fruits of the world. Colleton simply adjusted itself to Mr. Fruit’s harmonies and ordinations. He did whatever he felt was needed and he did it with style. “That’s the Southern way” my grandmother said. “That’s the nice way.”

“Home is a damaged word, bruisable as fruit, in the cruel glossaries of the language I choose to describe the long, fearful march of my childhood. Home was a word that caught in my throat, stung like a paper cut, drew blood in its passover of my life, and hurt me in all the soft places. My longing for home was as powerful as fire in my bloodstream.”

“And something else: it came to me like a postcard or a paining on a cavern wall. When I heard of your stroke, I thought about living in the world without you and I felt the air grow still and the light change. Then I saw him for the first time and understood at last. I saw your sea monster, kindly and serene, mythic and loving, rise out of the Gulf Stream and swim casually toward the shores of Jacksonville, toward his old friend and traveler. I hope that when he comes, you will be ready with all your bags packed. I hope for you that this last voyage through dreams and seas is the best of all.”

“Teaching remains a heroic act to me, and teachers live a necessary and all-important life. We are killing their spirit with unnecessary pressure and expectation that seem forced and destructive to me. Long ago I was one of them. I still regret I was forced to leave them. My entire body of work is because of men and women like them.”

“It was growing dark on this long southern evening, and suddenly, at the exact point her finger had indicated, the moon lifted a forehead of stunning gold above the horizon, lifted straight out of filigreed, light-intoxicated clouds that lay on the skyline in attendant veils. Behind us, the sun was setting in a simultaneous congruent withdrawal and the river turned to flame in a quiet duel of gold....The new gold of moon astonishing and ascendant, he depleted gold of sunset extinguishing itself in the long westward slide, it was the old dance of days in the Carolina marshes, the breathtaking death of days before the eyes of children, until the sun vanished, its final signature a ribbon of bullion strung across the tops of water oaks.”

“I had ambushed myself by believing, to the letter, my parents' definition of me. They had defined me early on, coined me like a word they have translated on some mysterious hieroglyph, and I had spent my life coming to terms with that specious coinage. My parents had succeeded in making me a stranger to myself. They had turned me into the exact image of what they needed at the time, and because there was something essentially complaisant and orthodox in my nature, I allowed them to knead and shape me into the smooth lineaments of their nonpareil child.”

“As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metal work as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.”

“My mother’s family is passionate about visiting and cleaning the graves of their deceased. Once a year, the Peeks and the Nolens would gather to clean the tombstones and plant flowers at the grave sites of their people. Once, in Piedmont, when I was a little boy, I was helping to clean a grave of an ancestor of my grandfather named Jerry Mire Peek. When I asked my cousin Clyde whom this unknown relation was named after, he said, “He was named after the prophet Jerry Mire.”

“The world of literature has everything in it, and it refuses to leave anything out. I have read like a man on fire my whole life because the genius of English teachers touched me with the dazzling beauty of language. Because of them I rode with Don Quixote and danced with Anna Karenina at a ball in St. Petersburg and lassoed a steer in "Lonesome Dove" and had nightmares about slavery in "Beloved" and walked the streets of Dublin in "Ulysses" and made up a hundred stories in the Arabian nights and saw my mother killed by a baseball in "A Prayer for Owen Meany." I've been in ten thousand cities and have introduced myself to a hundred thousand strangers in my exuberant reading career, all because I listened to my fabulous English teachers and soaked up every single thing those magnificent men and women had to give. I cherish and praise them and thank them for finding me when I was a boy and presenting me with the precious gift of the English language.”

“People give me looks of pity and ask me why I want to wallow in my disconnection from a very connected world. It is simple. The world seems way too connected to me now. It seems to be ruining the lives of teenagers and bringing out the bestial cruelty in those who can hide their vileness under the mask of some idiotic pseudonym. I like to sit alone and think about things. Solitude is as precious as coin silver and it takes labor to attain it.”

“I longed for their approval, their applause, their pure uncomplicated love for me, and I looked for it years after I realized they were not even capable of letting me have it. To love one's children is to love oneself, and this was a state of supererogatory grace denied my parents by birth and circumstance. I needed to reconnect to something I had lost. Somewhere I had lost touch with the kind of man I had the potential of being. I needed to effect a reconciliation with that unborn man and try to coax him gently toward his maturity.”

“I’ve written more about my parents than any writer in the history of the world, and I still return to their mysterious effigies as I try to figure out what it all means—some kind of annunciation or maybe even a summing-up They still exert immense control over me even though they’ve been dead for so long. But I can conjure up their images without exerting a thimbleful of effort.”

“Throughout my career I’ve lived in constant fear that I wouldn’t be good enough, that I’d have nothing to say, that I’d be laughed at, humiliated—and I’m old enough to know that fear will follow me to the very last word I’ll ever write. As for now, I feel the first itch of the novel I’m supposed to write—the grain of sand that irritates the soft tissues of the oyster. The beginning of the world as I don’t quite know it. But I trust I’ll begin to know it soon.”

“I was raised in the Marine Corps and I was taught as a boy that you feed your own men before you feed yourself. It was my belief then, and it remains so today, that my platoon who loves and respect me will slaughter your platoon that hates you. But here is the great lesson I took from the plebe system—it let me know exactly the kind of man I wanted to become. It made me ache to be a contributing citizen in whatever society I found myself in, to live out a life I could be proud of, and always to measure up to what I took to be the highest ideal of a Citadel man—or, now, a Citadel woman. The standards were clear to me and they were high, and I took my marching orders from my college to take my hard-won education and go out to try to make the whole world a better place.”

“My career still strikes me as miraculous. That a boy raised on Marine bases in the South, taught by Roman Catholic nuns in backwater Southern towns that loathed Catholics, and completed his education with an immersion into The Citadel—the whole story sounds fabricated, impossible even to me. Maybe especially to me.”

“From the beginning, I’ve told journalists that I planned to write better than any writer of my era who graduated from an Ivy League college. It sounds boastful and it is. But The Citadel taught me that I was a man of courage when I survived that merciless crucible of a four-year test that is the measure of The Citadel experience. I’m the kind of writer I am because of The Citadel.”

“And I have begun thinking of that life as miraculous and lucky. How could a man I had dreaded as my commandant and who tried twice to get me kicked out of college become the subject of the first book I would write? [...] Who could have foreseen the day I would deliver his eulogy at the Summerall Chapel, or that I would give a speech on the night they named the dining room in the new Alumni Hall after him? Not me. Not once. Not ever.”

“Once The Boo roamed this campus fierce, alert, and lion-voiced, and his wrath was a terrible thing. He could scream and rant and call us “bums” a thousand times, but he could not hide his clear and overwhelming love of the Corps. The Corps received that love, took it in, felt it in the deepest places, and now, tonight, we give it back at the school where we started out and we give it to The Boo, as a gift, because once, many years ago, The Boo loved us first, when we were cadets of boys and when we needed it the most.”