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All T Quotes

“The foreign audiences are somewhat surprised and happy to find an American film that asks questions about American culture. There's a certain kind of cultural imperialism that we practice. Our films penetrate every market in the world. I have seen and have had people reflect to me, maybe not in so many words or specifically, but I get the subtext of it - they're somewhat charmed and surprised and happy to see an American film reflect on our culture. Because they see other cultures reflect on our culture but they don't see US culture reflecting on itself in quite the same way.”

“The foreign policy aim of ants can be summed up as follows: restless aggression, territorial conquest, and genocidal annihilation of neighboring colonies whenever possible. If ants had nuclear weapons, they would probably end the world in a week.”

“The foremost or indeed sole condition required in order to succeed in centralizing the supreme power in a democratic community is to love equality or to get men to believe you love it. Thus, the science of despotism, which was once so complex, has been simplified and reduced, as it were, to a single principle.”

“The foremost reason that happiness is so hard to achieve is that the universe was not designed with the comfort of human beings in mind...It seems that every time a pressing danger is avoided a new and more sophisticated threat appears on the horizon...Whether we are happy depends on inner harmony, not on the controls we are able to exert over the great forces of the universe”

“The forest chieftains were not considered part of the circle of kings by the political theorists, but they were recognized as a generic po- litical force that kings had to deal with. The ultimate triumph of mon- archy and empire involved the destruction of the oligarchies and the partial subjugation of the forest tribes. Along the way, the latter be- came recognized not only as cultural others, but also as political adver- saries as well as potential allies, although usually of an inferior kind.”

“The forest, far from the mundane and familiar world of the city, provides the appropriate setting for exceptional figures, both holy and mythic. Here, as in the world landscapes, figures and settings are truly matched; and as Reindert Falkenburg and myself have argued, the remoteness and grand scale of the forest or the earlier mountain wilderness signal the sanctity of or gravity of the human scene, however small in scale, which the discerning viewer must seek out and read as significant.”

“The forest has a different quality now, girded with winter. It no longer dozes among its autumn finery like a king in silken bedclothes, but holds itself in tension, watchful and waiting. Its moments like that, I am reminded of Gauthier's writings on woodlands and the nature of their appeal to the Folk. Specifically, the forest as liminal, a "middle-world" as Gauthier puts it, its roots burrowing deep into the earth as their branches yearn for the sky. Her scholarship tends towards the tautological and is not infrequently tedious (qualities she shares with a number of the continental dryadologists) yet there is a sense to her words one only grasps after time spent among the Folk.”

“The Forest is dark, dearie, The Forest is dark; The moment you think that you’re lost in the woods, then you are. Do not lose your way, dearie, Do not lose your way; The monsters are lurking not far from the path should you stray. Things aren’t what they seem, dearie, Things aren’t what they seem; Kind grins are bared teeth; Please don’t answer the calls from the trees. Do not pay them heed, dearie, Do not pay them heed; Hear footsteps behind you, beware but don’t fret, they’re just checking. The air is alive, dearie, The air is alive; To help and to hinder, but it’s how some learned to survive. These woods are too old, dearie, These woods are too old; Watch for crimson wraiths, keep your strength and wits close should you go. Deep in the Forest.”