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“Nashville has always felt perfect. I don't think Third Man Records could exist in any other town that I know of in America. Anything smaller or larger than the size of Nashville, and also the music - the attention that's paid to music in that town is sort of the right kind. It's not too hipster and it's not too fake; it's something in the middle, which is really good ground for a place like Third Man Records, that aims to be genre-less. It's great to be able to have that kind of access.”

“I understood that there would be some backlash, and that scared me, honestly. But deep down, I felt like it was the right thing to do. And if I was to run away from what I felt in my soul was the right thing to do, that would make me a coward. I can’t live with that. God wouldn’t be able to put me where I am today, and as far as I’ve come in life, if I was a coward.”

“Getting ahead in a difficult profession - singing, acting, writing, whatever requires avid faith in yourself. You must be able to sustain yourself against staggering blows and unfair reversals. When I think back to those first couple of years in Rome, those endless rejections, without a glimmer of encouragement from anyone, all those failed screen tests, and yet I never let my desire slide away from me, my belief in myself and what I felt I could achieve.”

“As the mental endowment of a man varies with the organisation of his accumulated experiences, the better endowed he is, the more readily will he be able to remember his whole past, everything that he has ever thought or heard, seen or done, perceived or felt, the more completely in fact will he be able to reproduce his whole life. Universal remembrance of all its experiences, therefore, is the surest, most general, and most easily proved mark of a genius.”

“Opinion in all parts of the world would agree that Rachmaninoff is the most complete of living masters of the instrument; his technique is comprehensive, and he is, of course, musical to his bone's marrow. Most important of all, he is a composer, and for this reason he is able to approach a work as none of his pianist contemporaries can approach one - that is, from the inside, as an organic and felt creative process.”

“When I finished the juniors I felt, perhaps for about a year and a half, that everything was going to be the same and that I would be able to go out there and win any match. But it wasn't the case. I struggled. It took me time to adjust and to realise it was not going to happen like it did in the juniors. It was three years between the junior ranks and reaching the Australian Open, and even then, having reached the final against Hingis, I wasn't really realising what it would take to go higher.”

“This was one of the greatest test of his faith he had ever experienced. The thought of deceiving the kind and faithful wife of his youth... was more than he felt able to bear.... his sorrow and misery were increased by the thought of my mother hearing it from some other source, which would no doubt separate them, and he shrank from the thought of such a thing, or of causing her any unhappiness.”

“I have that need in me, I want everyone to love me, but I'm embarrassed by that need, so I wanted to cover it up in my persona. I felt like I wouldn't be able to do stand-up for a career if I was needy. I didn't want to be complaining or whining onstage. I wanted to be cool and do exactly what I wanted to do. That way I would never have to change for anybody.”

“Somehow I felt that if Fox Talbot had had more time and more drawing talent, he would have filled in the interval between his two drawings and made a complete panorama. Now, 163 years later, I was able to use his great invention to elaborate on his youthful dream of capturing and fixing the fleeting image. In doing so, I may also have added another little bit to the soul of this extraordinary place.”