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Actors Quotes

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Actors Quotes

“I was still thought of as a kid actor even though I was in my mid twenties.”

Stills Kids Actors Twenties

Author:Tommy Rettig

“I was staying on [writer/director/actor] Eric Schaeffer's couch in New York, and he said, "I've got this movie [If Lucy Fell]. Can you do five days on it?" And I was like, "Yeah, anything. Twenty-four hours times five is 120 hours. Oh, great, I'll fill 120 hours of my life with something." So I did that and it was fun, and then I did Flirting with Disaster.”

Ifs Said Actors Fun Hours Five Four New York Directors Twenties Yeah Disaster Staying Flirting Couches Eric Lucy

Author:Ben Stiller

“Eighty percent of a picture is writing, the other twenty percent is the execution, such as having the camera on the right spot and being able to afford to have good actors in all parts.”

Writing Able Actors Percent Twenties Cameras Spots Execution Eighty Good Actors

Author:Billy Wilder

“I stopped acting when I was about nineteen, twenty, when I got thrown out of college. I did act for about ten years. I don't know. I suspect I'm still a reasonably good actor, but I don't really know that I want to get on the stage again ... and having to say all those boring words by me over and over again ... I don't know if I want to do that. Also, I like a certain amount of freedom of movement, and if you're acting, you're stuck in one place for a long time. Having said that, I will probably be onstage next fall.”

Source: Stretching My Mind: The Collected Essays of Edward Albee

“with a country of rare picturesqueness for a background, a people of rare beauty for actors, everybody more or less permeated with the artistic instinct and everybody more or less writing poetry - California has a pageant for breakfast, a fiesta for luncheon and a carnival for dinner. They are always electing queens. In fact any girl in California who hasn't been a queen of something before she's twenty-one is a poor prune.”

“Sitting for a picture is morbid business. A portrait doesn't begin to mean anything until the subject is dead. This is the whole point. We're doing this to create a kind of sentimental past for people in decades to come. It's their past, their history we're inventing here. And it's not how I look now that matters. It's how I'll look in twenty-five years as clothing and faces change, as photographs change. The deeper I pass into death, the more powerful my picture becomes. Isn't this why picture-taking is so ceremonial? It's like a wake. And I'm the actor made up for the laying-out.”

Source: Mao II