“I need to react to a script, to feel strongly about it in some way. And I need it to be a complex character for sure. And also, I think a lot about what kind of audience there is for the film, what they're looking for and ways to connect with them in the playing of a character.” ThinkingWayNeedsFeelsKindCharacterFilmAudienceComplexesScriptsComplex Characters Author:Jeremy Renner
“XL is dedicated to understanding shifting business dynamics and helping our clients thrive in increasingly complex and changing environments. 'The Future of the Company' platform will allow us to offer insights and commentary on these essential topics to a global and diverse audience and feature insights from XL experts.” HelpingUnderstandingCompanyAudienceEnvironmentOffersEssentialsComplexesInsightFeaturesExpertsThriveDedicatedPlatformsDiverseClientsTopicsShiftingCommentaryDynamicsChanging Environment Author:Mike McGavick
“Unfortunately, public debates do not have much room for subtlety. The audience wants a quick thrust at your opponent, not a slow and convoluted series of moves. Whenever Obama uses subtleties in discussing a complex issue, he gets creamed.” WantUseMovingRoomsAudienceIssuesSeriesComplexesDebateOpponentsThrustDiscussingSubtletyConvoluted Author:Alan Lightman
“Network news accustoms audiences to assertion not argument. Over time, it reinforces the notion that politics is about visceral identification and apposition, not complex problems and their solutions. ... sound bites aren't very helpful. They can tell a voter what a candidate believes, but not why. And many issues are too complex to be freeze dried into a slogan and a smile. ... What's lost in a world in which everything's an ad? Perhaps the country that created the assembly line has simply found a more efficient way to do politics.” WorldWayBelieveCountryProblemFoundPoliticsLostSoundLinesAudienceIssuesNewsSolutionsArgumentComplexesNotionCandidatesHelpfulVotersBitesAdsEfficientSlogansAssemblyAssertionFreezeIdentificationVisceralSound BitesAssembly LineComplex Problems Author:Kathleen Hall Jamieson
“What serialized cable dramas have given us is the opportunity to not simply tell the same story with slightly different words and different costumes, every week. people are really mining the ability of storytellers to tell a long form story that goes from A to Z, and to trust that an audience will follow that. If they miss it, over the course of the week, they can watch it online or buy the DVD. There are so many different ways of interacting with it. Storytelling in television is getting more complex and more nuanced.” PeopleIfsWayLongDifferentStoriesFormCoursesOpportunityGivenAbilityWatchesAudienceWeekMissingTelevisionDramaComplexesStorytellingDifferent WaysOnlineStorytellerCostumesCablesDvdsInteractingMining Author:Sarah Wayne Callies
“I think it's very important for me to work on myself while I'm working on a character, and also it's important how I'm giving to and educating an audience. So I tend to go with people who are complex and substantive.” PeopleThinkingGivingImportantCharacterAudienceComplexes Author:Judith Light
“Three-dimensional, complex women get an audience engaged as much as the men. I’m a feminist in the true sense of the word. It’s about equality.” MenThreeAudienceHe ManComplexesFeministEngaged Author:Natalie Dormer
“Create a really interesting, complex person that you want to know more about, and take her on a journey that is rich and fulfilling and that has an end that is perfectly fulfilling, and that has an end that is perfect for that character, and the audience will love it.” KnowsWantPersonsEndsCharacterPerfectInterestingAudienceRichJourneyComplexesFulfillingReally Interesting Author:Frank Spotnitz