“When you go to commercial, you want something to call the viewers back, and if you don't have a decent act out, the audience probably won't be there in the numbers you want when the show returns.” IfsWantShowsNumbersAudienceReturnDecentViewersWant Something Author:J. J. Abrams
“I tell my staff, we're riding a tour bus around, and we're going to stop and look at some weird stuff - but we're taking our viewers around safely. They're just looking out the window at it. I'm trying to create a sense of comfort for my center audience.” TryingLooksLiteratureStuffAudienceComfortWindowBusRidingStaffViewersWeird Stuff Author:Chris Matthews
“A piece of art - this goes for a painting or a sculpture or a book or whatever - really shouldn't have to do with the set of expectations that the viewer or the audience or the reader brings to that work. It should just have to do with how they interpret it and whether they like it or not.” ShouldArtBookAudiencePiecesPaintingReaderExpectationsWorking ItViewersSculpture Author:Max Kellerman
“That a viewer does not see what the artist intended does not make the composition a failure... In reality all artists speak first to themselves and then to an audience.” FirstsDoeRealityArtistSpeakAudienceCompositionViewers Author:Mike Svob
“TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or "closing" of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.” Would BeUsedActorsLostStarsActingAudienceAchieveStageTelevisionTvsDegreesMediumsIntimateShockPeculiarSpontaneousViewersIrrelevantMovie StarClosingInvolvementCasualInner LifeCompletion Book:Understanding media: the extensions of man Source: Understanding media: the extensions of man
“In the theater the audience is generally riveted to a single angle of observation. The movie director, though, can rapidly shift from objective to subjective--and to any number of subjective points of view--and in so doing seem to pull the audience directly inside the frame of his picture, giving the spectator the sense of experiencing an action from the viewpoint of a participant. Identification of the viewer with the film character, then, can be much more intimate than the analogous situation in the theater.” GivingCharacterSeemsActionFilmViewsNumbersSituationAudienceDirectorsTheaterPoint Of ViewObjectivesObservationCinemaIntimateAngleViewersSubjectiveSpectatorsParticipantsViewpointsIdentificationMovie Director Author:Ed Murray
“People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.” PeopleHas BeensFilmAudienceConnectionsViewersUnderstand Me Author:Agnes Varda
“About my work, my first film, Écoute le Temps (Fissures), was positioned by distributors as a thriller because they thought that it would sell more easily. But it was surely a mistake, as that kind of viewer did not take the bait, and it drew away its potential core audience, those whom I met in festivals and in various Q&As who seem to appreciate that particular kind of cross-over arthouse film.” FirstsKindSeemsFilmMistakeAudienceParticularMetsAppreciateCrossesSellsVariousCoreViewersFestivalsThrillersBaitDistributors Author:Alante Kavaite
“Definitely. Cate Blanchett or Meryl Streep, Julianne Moore - women that have no boundaries, no borders. They can do anything, They can be any character and you accept it and go with it as a viewer, and as an audience member. That's the kind of career that I'm looking for.” KindCharacterCan DoAcceptingCareersAudienceMembersBoundariesBordersViewersNo Boundaries Author:Jessica Biel
“At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.” ShouldHeartEndsStoriesAbleFilmPowerfulAttentionAudienceSuccessfulMiddleEmotionalIntellectualNarrativeDramaticCaptureViewersArcsProtagonistsBeginning Middle And End Author:Julia Bacha
“I always feel that a viewer has an expectation about every moment of the film and where it's going, so if I act against that, I've created a twist. In fact it becomes a kind of game with the expectations of the viewer. This is the superficial appearance. In the layer beneath there is a hidden theme. The result of each twist is that the judgment of the audience member is challenged.” IfsFeelsKindMomentsFactsFilmGamesResultsAudienceMembersJudgmentExpectationsAppearanceThemeLayersSuperficialViewersTwists Author:Asghar Farhadi
“TV is a different animal. It's not a club set. As you said, you do short sets on TV - about five minutes. So you have to get that rhythm down and also be aware of the camera so you're connecting with the viewers at home as well as the studio audience. It's a different muscle to develop.” WellsSaidDifferentHomeAnimalAudienceFiveMinutesTvsDown AndCamerasClubsStudiosRhythmMusclesViewersConnectingFive MinutesDifferent Animals Author:Ted Alexandro